Performance notes: Originally scheduled for 21 March 2006. In Angel Of Harlem, Bono sung "Young Australians" to the tune of Young Americans. Walk On is performed in full electric form for the first time since 27 February 2002 (the previous Vertigo Tour versions had been acoustic). Kite is played for the first time since 2 December 2001 and features a guest appearance by Tim Moriarty on didgeridoo - Moriarty joins the band during Kite at the other Australian concerts too. Angel Of Harlem receives its first pre-planned performance since 1 December 2001; its previous Vertigo appearance on 29 October 2005 occurred after a fan was pulled on stage to play guitar. This is U2's first appearance in Australia since February 1998. Setlist and comment provided by U2gigs.com.
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The show itself is very good in my opinion - typical 5th leg fare, if not one of the better shows on the aforementioned leg - which makes up for the below-average audio quality. As I mentioned, the crowd seem to really get into the show (aside from the stupid conversations!) and the band themselves seem to really enjoy themselves. The varied setlist is also a treat, a couple of examples being Yahweh being brought forward into the main set to break things up and Walk On - a Vertigo rarity, and thus adding to the show with its very presence - receiving a full-electric makeover, and aside from the imperfect execution, really standing out. In this respect, I compiled a few highlights;
- Bono's singing: on occasions, he was really belting it out, which, considering the 8-month layoff, was pretty impressive, a couple of highlights being COBL (especially when he sings "time won't leave me as I am"); Beautiful Day (the extended "touch me" after the middle 8 blew me away) and SYCMIOYO.
- As previously mentioned, the varied Vertigo setlist (no doubt to include an Elevation feel because of missing out the Oceanic regions on the last tour) including UTEOTW, Walk On, the belated return of Angel of Harlem (after a long absence throughout most of the tour) and Kite getting a revival.
- SBS; really arse-kicking performance.
- WTSHNN/One: damn me, if both songs didn't get the whole place going. Streets was full of energy, and One was a great performance. Good stuff.
- The whole encore - the ZooTV theme to the first half was great. Zoo Station was an exemplary example of why I prefer Vertigo to ZooTV renditions, what with Edge's guitar being so much more prominent and Larry's drums blowing the world apart; The Fly and WOWY were both good, especially on the latter when the crowd really started getting into it. The 2nd half was great too; although I'm not a fan of TSAC, one can't deny that it was a good performance and the crowd loved it; Angel of Harlem and Kite were, as ever on the tour, great.
There weren't really any genuine downsides to the show performance-wise for me, apart from perhaps Elevation and BTBS; the former because I'm not a big fan (although the fact they didn't draw it out and wait after the first verse for everyone to kick in was a blessing for me!) and the latter because it just seemed to take so bloody long to get going - it only took off once Edge was a fair way into his solo...
Sound
Well, for the most part, until the latter stages of the show, the quality of the recording is questionable, at best (NB - I haven't checked out the update yet, but I'm trusting Gerard when he says its slightly improved, which would make this worthy of the 3-star status it has). I think in its current form, the 3-star is too nice if you consider the majority of the show is pretty dodgy - everything is fairly clear in itself, but not great. Bono's voice carries through the best of the 4 band members, and Adam's bass is pretty clear and really drives the music along. Edge's guitar has good songs, and some bad songs in as far as how clear and standout he is, but Larry seems to suffer the most because for the most part, there's not enough power coming from him and so the music itself loses something.
All in all, it's very much like listening to a radio through a thick wall with polystyrene in your ears, i.e. not great. However, like I say, it picks up during the latter stages of the main set, which benefits the show. However, the main gripe is the audience surrounding the recorder - ok, they are very much part of the show and add to the atmosphere, but it does sound a bit like being at a small venue and there being a limited number of people in the vicinity, not to mention a couple of them talk about some real crap! One standout point definitely has to be the conversation during Bullet The Blue Sky (I think), where a woman starts rattling on about "tall people always getting to the front" - this may be true, but keep it to yourself and just enjoy the bloody show! Recording: Audience microphone - 3 stars
Audience
This part is only rated, not commented on
Overall
Overall, I liked the show - granted, I wouldn't call it one of the standout shows from the 5th leg but it's still great. It gets my recommendation as long as you take note of the many warnings regarding the quality of the audio! I wouldn't give it "must-have" status, but I definitely think it rates higher than merely being considered as "die-hard collector material".
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