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  1. It doesn't take many cams to make a good multicam. It's more important that the filmers hold still while filming. So far Night 1 and 4 have best chances I think.
  2. Originally posted by loftarasa:It doesn't take many cams to make a good multicam. It's more important that the filmers hold still while filming. So far Night 1 and 4 have best chances I think.
    But it does require good coverage, so for sure prior to the shows we should make sure all parts of the show are at least filmed by one cam.
  3. If I don't cover the whole show, I will sure make sure to film all the screen-action. But you never know where you will end up with GA so it's hard to say I'm going to film this and that in my opinion.
  4. I plan on filming certain songs because they're those songs, regardless where I end up being at. What I can't foresee is what will happen during the show: if Bono pulls me up onstage to play A Sort Of Homecoming, I cannot film that one
  5. Originally posted by LikeASong:I plan on filming certain songs because they're those songs, regardless where I end up being at. What I can't foresee is what will happen during the show: if Bono pulls me up onstage to play A Sort Of Homecoming, I cannot film that one
    Why not? Would give us great close ups Jusr keep the camera rolling while playing , or better , ask bono to hold the camera....
  6. Hahahaha... I can tell him: "We're going global!", he might freak out
  11. Make it 3
  12. I'll do all AMS nights and will film a few songs each night. Same for terrorsittich and we usually film different songs.That should make some extra material for each night.

    Matt
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.