REC
Active topics
  1. I think there's a frenchman in Lyon that might be able to tell you.
  2. Originally posted by fastcars:[..]
    Yup, sadly enough it sounds like maybe a entry level IEM recording (opposed to a Hoserama production) I downloaded it mainly to see if Desire, Gloria and Bad might've been a upgrade. I'd have to say close call but I'm still leaning just a bit towards the IEM over the audience. Any chance that these recordings would improve with some kind of matrix, or better to just wait and see what surfaces? (Xavel)
    I suspect it might be a guy recording outside with an SDR rig that I spotted. Not totally sure though. There's a lot of hiss and static on back half of show. If you were really motivated, you could take it to task and do clean-up and mixing with aud.

    Or just wait for something else, most likely.
  4. Hoserama has anyone ever offered you money for one of your recordings that hasn’t or hadn’t at the time at least been released?
  5. Originally posted by hoserama:It's overrated.

    When I was in japan, I went to blind faith records which has lots of bootlegs. I went in and heard them playing U2 Saitama 2006. I spotted multiple U2 bootlegs, bunch of which were mine. I asked what show was paying over the PA and they pointed me to the Saitama 2006 set for large sums of money. I generally made my way out.

    After hanging outside for a bit trying to figure out our next move on th confusing metro system, the owner came out to chat. Talked about the recent U2 shows, which we attended. He said he knew Xavel was looking to release, and they had 2 to 3 tapers doing iem. I played him a bit of my quick mix on my phone, which coincidentally came up to Red Hill, which had lots of counts. We had a good laugh and he offered me a discount on the bootlegs inside. I joked about it because I saw several pressings of my Sao Paulo recordings. He was polite about it at least but I declined the discounted bootlegs.

    Different culture there. Still remnants of a thriving bootleg culture, and tapers sell to the labels. I'd never do it.


    How long ago was that?
  6. Yes.

    Only time I would have seriously considered was a very large donation (the amount quoted at the time was $27,000), which would have went to Planned Parenthood and none to me.

    The Radiohead goofballs just flamed me instead and demanded I release the recording anyways.
  9. No, 3 weeks ago. They were playing the 2006 bootleg over the speakers. I was playing them the 2019 IEM matrix recording on my phone.
  10. Originally posted by hoserama:Yes.

    Only time I would have seriously considered was a very large donation (the amount quoted at the time was $27,000), which would have went to Planned Parenthood and none to me.

    The Radiohead goofballs just flamed me instead and demanded I release the recording anyways.
    Wow, that’s an incredible amount of money. Just shows what people are willing to pay for recordings, I know there was the added touch of a charity here but still. Thanks for your response. Hope you don’t mind me asking this but is the recording and mastering stuff you do purely a hobby or away from that do you work in that sort of stuff? Obviously that’s a personal question so no need to answer I’m probably more asking how you got into all the recording stuff really.
  11. Originally posted by hoserama:Yes.

    Only time I would have seriously considered was a very large donation (the amount quoted at the time was $27,000), which would have went to Planned Parenthood and none to me.

    The Radiohead goofballs just flamed me instead and demanded I release the recording anyways.
    I-

    What.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.