1. I'll post mine this evening I think...quite busy today with all kinds of stuff.
  2. I probably won't get around to it for a few more days at least. I've completely forgotten what the show was like.
  3. I have on for later, but I want some others to post theirs first.

    Shall we extend the deadline? No sign of Sergio, Reclinerman, Chris etc. And the rest of you are all busy.

    Shall we say all reviews by Tuesday absolute latest? Don't count if not in by then.

    I'll try and get the last summary done by then and Reclinerman can leave his show choice so that those done with the Stockholm show can get on.

    Alright with everyone?
  4. Alright by me...I'm not sure if I'll be able to post anyway tho.
  5. I couldn't be arsed posting on this show because there isn't a lot that can be said about this show that hasn't been said before so I shall type out Willie Williams thoughts for you all as he hits the nail bang on the head :

    Originally posted by Willie

    STOCKHOLM. Well tonight was the one. It was the night that I stopped during the gig and thought to myself ''This is the high point on my career''. The entire gig from the Globe in Stockholm was broadcast live to just one person's house - that of Mr John Harris of Nottingham, England. He won an MTV competition, so got the private broadcast. His small living room was piled high with TV's and of course everybody from the whole street was in there. There was also a camera at their end, sending pictures back to us, so at various points during the show, the living room in Nottingham would appear on the stage video walls. Bono would break to speak to them and they would reply of course. Of course by 10pm everyone at the Nottingham end was blind drunk, which made it all the more entertaining. Technologically it was flawless too, which was pretty astounding.

    So later on, Benny and Bjorn - the guys from ABBA - appear. We have U2 and ABBA performing 'Dancing Queen' beneath the mirrorball trabant, being broadcast live from a giant spherical building in Sweden to one terraced house in Nottingham. I rest my case.

  6. I'm here, but I had only time for watching the show...compiling the thoughts is another thing, it's a too good gig to miss out. Expanding the dead line is a great idea, I can only welcome it.
  7. Tuesday night is limit then??
  8. Originally posted by LikeASongTuesday night is limit then??


    Yep
  9. Good idea, I see if I can write one today..
  10. I will post mine in a few minutes.
  11. 1992-06-11 Stockholm
    Dancing Zoo TV[/b]

    I love this show. I don't know who chose it, but he ROCKS. This is probably the best Zoo TV Tour show, along with Milan 05-22 and a few late 93 shows...



    Sound

    There are many recordings, remasterings, re-remasterings, mixes, remixes and matrixes of this show. Honestly, it was such a great show that it doesn't matter which recording are you listening to: it sounds great. The concert was broadcasted live to a contest winner on England, so there is a good Soundboard version from that copy. Nevertheless, I prefer that completely awwesome Excellent Re-Excellent Astonishing Fantastic Audience recording we all know. If rating could be over 10/10, this recording would be.



    Crowd

    Crowd is amazing throughout the whole show. Even though it's not that much appreciated on the Soundboard version, the existing audience recordings show how great was the ambient on that small arena.
    The sing along with every song, and their presence makes more notable on Angel Of Harlem -Dancing Queen, where they literally go nuts. Also ISHFWILF-Stand By Me and With Or Without You get great responses from that crazy Scandinavian people.
    That crowd was witnessing one of the most astonishing shows ever, with lights, industrial sounds, jokes, surrealism and great music, all mixed up.



    Performance

    The whole performance is flawless.
    From the I Could Have Lost You of Bono, alone in the stage, to the Blindneeeeeeeesss... Good night!, the performance is perfect. There are virtually no mistakes nor bad performances.
    The show also feature that great surprise of Dancing Queen, played with two legends on stage (the male members of ABBA), which makes the audience go nuts. Honestly, I have heared/watched/listened many other artists playing with U2 on stage, and my absolute favorite still being Dancing Queen on Stockolm. It's so weel played, and it represents how great is U2, capable of mixing that dance-party spirit of ABBA with their own rock-show style. Awesome.
    The night is summarized on a sentence Bono said after Dancing Queen: "This is the most surreal night of my life!".



    Summary

    Too good to be only 16 years back...

    10/10.


    =====

    PS. What a honour. This is the post number 1000 on this thread...
  12. 1992-06-11 Stockholm
    Dancing Zoo TV[/b]

    After a long time, during which I did not watched/listened to any Zoo TV related U2 recording, I re-entered to the world of the surrealistic media-orgy of Zoo TV with this bootleg on DVD. This show really deserves to be called "historic", and no matter how obvious it is to some people, there's still a lot to discover about this night.


    Sound

    As this recording was taken from a broadcast tape, there are no glitches at all, nice, smooth deep sound dominates this bootleg. After a good remaster-treatment it can even be released officially as a memory of early arena-based Zoo TV spectaculars.

    Picture

    This also has to be mentioned. There are 2 versions in circulation, one has a sepia-toned colour, while the other is in full color, which surfaced some years later. I really wonder if the MTV contest winner leaked his recording to the public...
    The camera work is fantastic, the director feels the dynamics of the show, it's more enjoyable as the other famous pro-shot from the 92 shows, the rainy Washington DC stadium concert. The colours are a bit washed-out (due to the VHS source), but that might be the biggest problem with this recording.

    Performance

    This is one of the most flawless performances of U2 ever. The show is full of energy and creativity from the beginning to the very end, this was the peak of the arena period of the monstre tour, yet it still has its human sides, which was definately lost after they turned towards stadium performances. This footage reveals the humourous side of Zoo TV (few recordings has that), it's hard not to find the irony behing the floating disco-Trabant during 'Satellite of Love'.
    During some concerts, the complexity of Zoo TV failed to continue for the whole 2 hours of the show, but this Stockholm perforaance is not one of those. Just wish the whole tour would have been like this. The audience breathes together with the band, their continous input gives the energy the band needs to give them an unforgettable experience.
    The band offers a great setlist, every song just fits the right place, yet it's not mechanic.
    We have probably the best rendition of the 'opening block' ever (Zoo Station-The Fly-EBTTRT-Mysterious Ways-One), a rare gem (WGRYWH) and the early classics are fitting in too. The only-very slight-disappointment may be 'Love Is Blindness', this show was too euphoric to be closed with such a sad song (I think it was a problem with every Zoo TV show, LIB is a brilliant album closer, but fails to be a final track of a satyre-based stage show). And we cannot forget the stage prescence of Björn Ulvaeus and Benny Anderson, who are the coctail cherry on this Zoo TV cheesecake.

    Summary

    Go and get it, it's really, really essential.

    10/10.