Originally posted by domsi:[..]
+1
It was a total disappointment for me - when I realised the story behind The Summer of Love ...
From the early stages on, from the early records on, the producer‘s role has been at least a kind of 5th member. Take the old TJT documentary - while Bono has had a hard time remembering musical details, Danny knew EVERY detail. Prepared for the doku, yes, but take for example „Running To Stand Still“. It became that anthem with The Edge improvising on some piano chords - and Danny being awake, alert, to play the original guitar parts. Then Edge later overdubbed slide guitar improvising on this basis. Take „ One“, take ... Daniel Lanois is much more than a Controller. Much more than just inspiring. He IS a professional and versatile musician. Regarding his musical contribution he IS the 5th member of U2 for sure. U2 albums produced by him are also Lanois albums.
Then: Take the keyboard and strings, the intros from TUF until TJT. Take ZOO intro- this is very much the art and handcraft of the ambience guru Brian Eno. Take the still brilliant low-fi, beat driven concept and sound monster POP - Howie B. made this happen.
So, another borrowed/‚stolen’ riff in SOL? A disappointment. A delusion, yes. But reality and not that big of an issue, when you dare to think/talk about how important prerecorded parts and playback elements unfortunately have become more and more important in U2 so-called live concerts. Terry in the underworld? Dallas and the Edge orchestra under the stage - can you hear us? But in the end: This is how it is. No need to bash, but no need to hide either, I think.