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  1. Actually it's not too impressive to record an album. Anyone with a computer can do it, and when he's done it a few times he can call himself a semi- professional. Even if I'm really proud of my own CD I still have to admit that I can't beat a proper professional production with the limitations of my home equipment and my self- taught know- how.

    And it's not too good for me - at least not in a financial way. The physical CD production costs money. I gave away a lot of free and promotional copies. In the end I never made any money with it, I ended up getting the cost back in and was happy. It was a little bit better in the days when we played live on a regular basis, but we mostly played for free, so our CD sales had to pay also for our car's gasoline. But now there just aren't enough people knowing my music and visiting my site. So thanks for giving me the opportunity for a post of shameless self- advertising.



    Alex
  2. Right, the Explorer is officially on its way! Should have it by Saturday with any luck, maybe even Friday if extremely lucky, and if not Monday lol. Either way, I'm absolutely buzzing! lol.
  3. Originally posted by WojBhoy:Right, the Explorer is officially on its way! Should have it by Saturday with any luck, maybe even Friday if extremely lucky, and if not Monday lol. Either way, I'm absolutely buzzing! lol.

    Give us sound clips when it's arrived! And pics!

    Actually I never played an Explorer, so you'll also have to explain how it feels in your hands compared to a Strat and a Paula.

    Alex
  4. Originally posted by Alex:[..]
    Give us sound clips when it's arrived! And pics!

    Actually I never played an Explorer, so you'll also have to explain how it feels in your hands compared to a Strat and a Paula.

    Alex


    The design and the guitars balance being as they are, one's hands tend to fall higher up the neck on an Explorer than most other guitars.

    In that, it's not surprising that Edge ended up writing a number of bits in that 7th to 12th fret range of the Explorer: Gloria, I Will Follow, 11 O'Clock Tick Tock
  5. Originally posted by Alex:Give us sound clips when it's arrived! And pics!

    Actually I never played an Explorer, so you'll also have to explain how it feels in your hands compared to a Strat and a Paula.

    Alex

    Sure thing finding time to take pictures will be a challenge ('cause it'll mean putting the guitar for 5 minutes ) but I'll definitely get around to that.
    Originally posted by anstratdubh1979:The design and the guitars balance being as they are, one's hands tend to fall higher up the neck on an Explorer than most other guitars.

    In that, it's not surprising that Edge ended up writing a number of bits in that 7th to 12th fret range of the Explorer: Gloria, I Will Follow, 11 O'Clock Tick Tock

    Yeah definitely, although it's interesting that he plays Gloria on a Strat. live...
  6. Originally posted by WojBhoy:[..]
    Sure thing finding time to take pictures will be a challenge ('cause it'll mean putting the guitar for 5 minutes ) but I'll definitely get around to that.
    [..]
    Yeah definitely, although it's interesting that he plays Gloria on a Strat. live...


    I think he may have mostly polayed Gloria on the Strat. But I believe that he has played Gloria on the Explorer too. I'd have to double check that.

    There are a lot of early songs that he's played on both. "The Electric Co.", being one example off the top of my head, where he has used the Explorer and the Strat at various times.

    An Cat Dubh has been played on the Explorer and a black Strat at various times.


    Songs like Rejoice have been played on his original Black Strat...


    ...Gibson Sonex (Werchter early July 1982)


    ...and Gibson Les Paul Custom a few weeks later at Gateshead (July 1982)
  7. I'm looking forward to seeing all of the new guitar and gear that The Edge will be using on the tour and finding out what was used on the album.

    Guitar-wise, there were many: Both Rickenbackers (1965 Fireglo & 1966 Mapleglo), the Epiphone Casino plus the use of the (2) Line 6 Variax 700's were just a few of the new toys brought out for the last tour...

    ...the Skrydstrup switching system, Fender amps and Line 6 (custom) DM4 Pro were a few of the other new items...

    ...should be fun to see what guitars, effects and amps hit the road with him.

    I wonder if he will take the (new to him) Gretsch White Falcon (seen in the u2.com videos)?


    Drum-wise, wonder if Larry is sticking with Yamaha drums or taking the oyster finish Ludwig kit that is in the christmas tune video... and perhaps a change to Zildjian vs Paiste cymbals, as he used some Zildjians in the studio (as seen in the U2.com videos)

    Lest we forget about Adam? I'd imagine that he might bring out the burgundy mist Fender Jazz bass seen in a few of the U2.com videos?


    Time will tell... should be fun for us U2 fans and fans of gear!
  8. So guys. I got my explorer in about september. And I think I've picked up my Les Paul about 3 times since then. Pretty sad... I was afraid it would become obsolete, and it has. The Explorer just plays so much better, has a similar sound, but that much better, and it's cooler to look at As for my strat, I love it a lot, but I've always wanted a better one. It's a standard MIM strat, with some GFS pups, great sound, great look, but I want a better neck and I want a black body. Basically, I'm thinking of selling both those guitars, and getting an American Standard Strat.

    Has anyone played an American Standard? I've played a few at the store and they feel and sound great. I want a good strat tone, and a good glossy buttery neck, like my explorer has. But obviously a maple strat neck. So can anyone give me some advice on a new strat?
  9. Originally posted by anstratdubh1979:I'm looking forward to seeing all of the new guitar and gear that The Edge will be using on the tour and finding out what was used on the album.

    Guitar-wise, there were many: Both Rickenbackers (1965 Fireglo & 1966 Mapleglo), the Epiphone Casino plus the use of the (2) Line 6 Variax 700's were just a few of the new toys brought out for the last tour...

    ...the Skrydstrup switching system, Fender amps and Line 6 (custom) DM4 Pro were a few of the other new items...

    ...should be fun to see what guitars, effects and amps hit the road with him.

    I wonder if he will take the (new to him) Gretsch White Falcon (seen in the u2.com videos)?


    Drum-wise, wonder if Larry is sticking with Yamaha drums or taking the oyster finish Ludwig kit that is in the christmas tune video... and perhaps a change to Zildjian vs Paiste cymbals, as he used some Zildjians in the studio (as seen in the U2.com videos)

    Lest we forget about Adam? I'd imagine that he might bring out the burgundy mist Fender Jazz bass seen in a few of the U2.com videos?


    Time will tell... should be fun for us U2 fans and fans of gear!



    What about Edge's Marshall half-stack we saw in the BBC Special and the Father Christmas video? He's used Marshalls in the past though, right? (or at least an amp-sim on the Line6 unit?)

  10. Edge used a Marshall at times in the early early days.... and in the studio, throughout their history, he's used various amps and combo amps.

    Since Boy, it's been Vox AC30 or multiple AC30's (4 during Zoo and Popmart tours). Those have been supplimented at times by various other amps. (Roland JC120 during the early 1980's, Randall amps during Zoo and Popmart tours and the Fender amp during Vertigo tour. And the HiWatt amp at teh Brooklyn Bridge show.

    But the Marshall being in the studio doesn't = that he will or won't take it on the road.

    It could be interesting if he did use the Marshall or switch up with some other amps.

    Here is most of what Edge used during Vertigo tour:Per Dallas Schoo interview Nov 2006[/b]

    AMPLIFIERS: 2005-2006 Vertigo tour
    Guitar World magazine (September 2005 – page 64)
    • (2) early `60’s Vox AC30TB amps (main amp and backup)
    • (1) Custom Vox AC30TB head w/Vox 2x12 cabinet [located behind rack]
    • (1) 1956 Fender Duluxe Tweed w/vintage Vox 12-inch speaker
    • (1) 1958 Fender Deluxe Tweed w/original Jensen Alnico 12-inch speaker
    • (1) 19xx Fender Blues Junior (customized) – used for shimmer
    • (1) early `70’s Vox AC30TB w/vintage Jensen Bulldog speakers

    Total Guitar magazine (November 2005 – page 41)
    • (2) early `60’s Vox AC30TB amps (main amp and backup)
    • (1) Custom Vox AC30TB head w/Vox 2x12 cabinet [located behind rack]
    • (1) 1956 Fender Duluxe Tweed w/vintage Vox 12-inch speaker
    • (1) 1958 Fender Deluxe Tweed w/original Jensen Alnico 12-inch speaker
    • (1) 19xx Fender Blues Junior (customized) – used for shimmer
    • (1) early `70’s Vox AC30TB w/vintage Jensen Bulldog speakers

    Australian Guitar magazine (March/April 2007 – page 28)
    AMPS VISIBLE ON STAGE:
    • (1) `60’s Vox AC30TB amp (w/(1) silver and (1) blue Vox Bulldog speaker)
    • (1) `71 Vox AC30TB amp (Bono’s old AC30TB, with a hole in the speaker cloth due to Bono kicking it)
    • (1) 1956 Fender Duluxe Tweed w/vintage alnico Vox Bulldog 12-inch speaker
    • (1) 1958 Fender Deluxe Tweed w/original Jensen 12-inch speaker
    HIDDEN AMPS:
    • (1) `60’s Vox AC30TB converted/customized to a head – reference tone for FOH (w/Vox 2x12 cabinet [located behind rack])
    • (1) `50’s Fender Deluxe Tweed (mic’d at rear)
    • (1) `60’s Vox AC30 (mic’d at rear)


    Here is a list of some of the amps The Edge has used over time:
    FENDER:
    FENDER - BASSMAN - 195X - (used during ATYCLB)
    FENDER - DELUXE TWEED - 1956 - w/vintage Vox 12-inch speaker
    FENDER - DELUXE TWEED - 1958 - w/ original Jensen Alnico 12-inch speaker
    FENDER - BLUES JUNIOR - (Customized) - Xxxx - Used for shimmer effects during Vertigo tour.
    FENDER - Deluxe - 1959 (Behind rig during 2005/2006 Vertigo tour._
    FENDER - model uncertain - vintage uncertain (pre-1983): The Edge mentioned using a Fender amp for the recording of "Sunday Bloody Sunday" in the book: "U2 by U2".


    HIWATT:
    HIWATT - [model / information forthcoming]
    HIWATT combo amp - [model / information forthcoming] - Mentioned as being used for "Elevation" during the "All That You Can't Leave Behind" recording sessions.


    MARSHALL:
    MARSHALL - [model / information forthcoming]


    MESA / BOOGIE:
    MESA / BOOGIE - MK-II C - 198x - Used for "A Sort Of Homecoming" & "The Unforgettable Fire" [during The Unforgettable Fire tour]


    RANDALL:
    RANDALL - RG80 - These were given as gifts to U2 by Def Leppard's Joe Elliott & used during the ZOOTV through Popmart tours.


    VOX:
    VOX - AC30TB - 1964 (# 1 main amp)
    VOX - AC30TB - 1962
    VOX - AC30TB - early 1970's (w/ vintage Jensen Bulldog speakers)
    VOX - Head (Custom) with 2 X 12 cabinet
    VOX - AC30TB - 1965
    VOX - AC30TB - 1963 (Vox in a Box)
  11. Originally posted by RattleandHum1988:So guys. I got my explorer in about september. And I think I've picked up my Les Paul about 3 times since then. Pretty sad... I was afraid it would become obsolete, and it has. The Explorer just plays so much better, has a similar sound, but that much better, and it's cooler to look at As for my strat, I love it a lot, but I've always wanted a better one. It's a standard MIM strat, with some GFS pups, great sound, great look, but I want a better neck and I want a black body. Basically, I'm thinking of selling both those guitars, and getting an American Standard Strat.

    Has anyone played an American Standard? I've played a few at the store and they feel and sound great. I want a good strat tone, and a good glossy buttery neck, like my explorer has. But obviously a maple strat neck. So can anyone give me some advice on a new strat?

    The American Standard is THE Strat. I think you can't go wrong with it. But there a few lower priced Strats on the market that are probably worth considering:

    - The MIM Classic and Classic Players got mostly great reviews - I believe the Classic 70 is available in black with maple neck. It's got a three- bolt neck and a big headstock.

    - The Roadhouse Strat got Texas Special Pickups and is available in black with maple fretboard.

    - The Jimmy Vaughan Strat has Tex- Mex Pickups and a V- neck, it's available in black with maple.

    - The Korean Lite Ash (=Swamp Ash) Strat has Duncan Pickups and a beautiful birdseye maple neck somewhere in the middle between C- and V- shape. It's available in black.

    - The US- made Highway 1 has jumbo frets, hot pickups and is available in a flat black Nitro laquer finish. Speaking personally - I really like the new Highway Strats. But they have a totally different approach and feel than the American Standard.

    Hope this helps somehow.

    Alex
  12. It does help. I've been looking at alternatives to the expensive American Standard. The thing is though, i've found that, yes you can get a quality guitar for a reasonable price. But in the end, the more expensive guitar, even if it isn't TOO different, is usually worth the extra money. Happened with my Gibson explorer, as opposed to getting an epiphone. The Epiphones are great, but in the end I'm glad I spent ALL of my savings and got a Gibson. It's become my favourite guitar. I will probably end up getting an American Standard. The only thing that's making me consider another strat is the large 70's headstock on the 70's MIm strat. Too bad the american 70's doesn't come in black with a maple fretboard.
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Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.