1. Originally posted by WojBhoy:[..]
    Indeed. I still play U2 material, a fair bit in fact, but simply for personal enjoyment - it doesn't bother me if I don't play a song note for note as Edge does, same with other artists etc., I like to work out my own take on things. I'd say I've taken on elements from his playing style just as I have from other guitarists, but I've now been working on writing my own material - there's been talk of starting a band with some uni. friends, we've had a couple of jams which have been fun but bearing in mind some of the stuff I've been coming up with, I feel it would be better realised if I just carry on doing my own thing or finding people who have more in common with my style.


    To be honest, it's super hard to join a band as a guitarist as a U2 type of guitarist. You have to (like you said) search for a band that wants the exact same type of music. Most bands, when looking for a guitarist, want a creative guitarist (which I'm sure you are), but they also want a techinically good guitarist as well (which is hard to be when all most of us have played is Edge). I'm in a band now, but I'm singer/guitarist, and I bring only a few U2 elements, but mostly other things, like blues and alternative rock elements to the table. I'm not saying it's bad that your style is like Edge's, mine is in a way too, I'm just saying, it's a little harder for us to find a band! lol. If I wasn't a singer than I probably wouldn't be in the one I'm in right now purely because I'm a guitarist.
  2. Originally posted by RattleandHum1988:[..]

    To be honest, it's super hard to join a band as a guitarist as a U2 type of guitarist. You have to (like you said) search for a band that wants the exact same type of music. Most bands, when looking for a guitarist, want a creative guitarist (which I'm sure you are), but they also want a techinically good guitarist as well (which is hard to be when all most of us have played is Edge). I'm in a band now, but I'm singer/guitarist, and I bring only a few U2 elements, but mostly other things, like blues and alternative rock elements to the table. I'm not saying it's bad that your style is like Edge's, mine is in a way too, I'm just saying, it's a little harder for us to find a band! lol. If I wasn't a singer than I probably wouldn't be in the one I'm in right now purely because I'm a guitarist.


    Edge was asked "What do you think when you see adverts for U2-type guitarist in music papers". His response was something to the effect that "if people are copying, they are missing the point".

    The point being... nothing being a product of your influences. There is nothing wrong with ceertain elements of your influence making it into your style but create something different - make your own thing.

    Edge took things like John McGeogh (Siouxsie, Magazine, PIL), Tom Verlaine & Richard Lloyd (Television), Mick Jones & Joe Strummer (The Clash), Henry Cluney (Still Little Fingers), Pete Shelley (Buzzcocks), Paul Weller (The Jam), Stuart Adamson (The Skids, and later Big Country)

    So if you want to be more like The Edge.... listen to lots of bands. Take bits and pieces and make something of your own.

    Doesn't mean don't learn and decipher what Edge does. But then take the ideas and create 'you'. Not just my opinion... t'is The Edge's too.
  3. Originally posted by RattleandHum1988:To be honest, it's super hard to join a band as a guitarist as a U2 type of guitarist. You have to (like you said) search for a band that wants the exact same type of music. Most bands, when looking for a guitarist, want a creative guitarist (which I'm sure you are), but they also want a techinically good guitarist as well (which is hard to be when all most of us have played is Edge). I'm in a band now, but I'm singer/guitarist, and I bring only a few U2 elements, but mostly other things, like blues and alternative rock elements to the table. I'm not saying it's bad that your style is like Edge's, mine is in a way too, I'm just saying, it's a little harder for us to find a band! lol. If I wasn't a singer than I probably wouldn't be in the one I'm in right now purely because I'm a guitarist.

    I hear you, and agree very much. I dunno what kind of guitarist I would consider myself, but I like all kinds of stuff and try to incorporate it into my style, which I think many people also do and is a healthy state of musical being. Definitely, I do find myself drawn to the work of similar Edge-influenced guitarists, Dave Keuning's one such example. However, like my attraction to U2, it's the music of the Killers as a whole that I'm drawn to - the guitar work is the icing on the cake that I pick off and eat separately.

    I think the guitarist whom I would say I hold up as one of my biggest influences alongside Mr. Evans would be Malcolm Jones of Runrig - if any of you get the chance, as I've said many times on here, check him out. Incredible. He was doing Edge before Edge was The man is a fine multi-instrumentalist too.

    Regarding bands, I have an idea of what I'm looking for in a band, but it's more just I have a certain feel for music that I don't think the others share, which is more the issue. It's hard trying to jam something like Beautiful Day when you're the only person who can hold a rhythm, same as a bit of Oasis etc...
    Originally posted by anstratdubh1979:Edge was asked "What do you think when you see adverts for U2-type guitarist in music papers". His response was something to the effect that "if people are copying, they are missing the point".

    The point being... nothing being a product of your influences. There is nothing wrong with ceertain elements of your influence making it into your style but create something different - make your own thing.

    Edge took things like John McGeogh (Siouxsie, Magazine, PIL), Tom Verlaine & Richard Lloyd (Television), Mick Jones & Joe Strummer (The Clash), Henry Cluney (Still Little Fingers), Pete Shelley (Buzzcocks), Paul Weller (The Jam), Stuart Adamson (The Skids, and later Big Country)

    So if you want to be more like The Edge.... listen to lots of bands. Take bits and pieces and make something of your own.

    Doesn't mean don't learn and decipher what Edge does. But then take the ideas and create 'you'. Not just my opinion... t'is The Edge's too.

    Amen to that brutha. Having said that, I've never seen an ad. for a U2-type guitarist anywhere!

    Paul Weller's amazing. Saw him play live at UEA (my university) in November, the man knows how to write a tune and put on a show. What more could you need?
  4. Coming up to nearly 6 months with my guitar.

    I really like my Explorer - unlike other instruments (eg. my piano) you seem to bond with a guitar.
    Perhaps its because unlike a piano where the actual sound is being created 'behind the scenes'
    with a guitar the sound is created right at your fingertips, it's much more tactile and the level of interaction with the instrument is much higher. It really makes a difference.

    I also like the fact that most of the music stores I go to never have Explorers on sale - its nice not being like everyone else who has a strat copy guitar.

  5. Originally posted by vanquish:Coming up to nearly 6 months with my guitar.

    I really like my Explorer - unlike other instruments (eg. my piano) you seem to bond with a guitar.
    Perhaps its because unlike a piano where the actual sound is being created 'behind the scenes'
    with a guitar the sound is created right at your fingertips, it's much more tactile and the level of interaction with the instrument is much higher. It really makes a difference.

    I also like the fact that most of the music stores I go to never have Explorers on sale - its nice not being like everyone else who has a strat copy guitar.

    Lucky you Enjoy it, that are great feelings
  6. Originally posted by vanquish:Coming up to nearly 6 months with my guitar.
    I also like the fact that most of the music stores I go to never have Explorers on sale - its nice not being like everyone else who has a strat copy guitar.




    Really? The store I go to has a bunch, and a bunch of musicians I know have them And strat copys ARE very popular, good thing I have an american fender
  7. Originally posted by RattleandHum1988:[..]

    Really? The store I go to has a bunch, and a bunch of musicians I know have them And strat copys ARE very popular, good thing I have an american fender


    Well over here of the three large music stores I've been too, none of them stock Explorers - apparently cos no one asks for them, it's mainly strat type guitars or les pauls. I'm sure the more boutique guitar shops will have them though.

    But again of all the people I know - either friends, acquaintances or other guitar players you meet at parties/uni etc. and none of the have explorers.
  8. I'm with Lyndon, the Explorer is not that common. Most young and non-proffessional players have copy Strats, Les Pauls or SGs... Having a Gretsch or an Explorer is much less usual
  9. Originally posted by LikeASong:I'm with Lyndon, the Explorer is not that common. Most young and non-proffessional players have copy Strats, Les Pauls or SGs... Having a Gretsch or an Explorer is much less usual


    I side with this view as well; I've only ever seen one person I know play an Explorer.

    And that's why I felt special "graduating" from my Strat-copy to a PRS Special Edition last year...it's cut a bit like a Les Paul, but it's definitely MY guitar; nobody else around here plays one anyway, and I've worked my own blood sweat and tears into it

    Switching gears just a bit, I once looked into buying a hollow-body guitar from a local independent store, and the brand name was Reverend. Anybody know anything about these guitars? It was expensive (for me, anyway, a teenager currently without a job), but the sound on some of the YouTube and Reverend demo videos was to die for. Here's the link to the specific guitar I considered saving up for:

    http://www.reverendguitars.com/reverend/guitars/set_neck_series/manta_ray_290.html

    The retailer around me had it in a...I guess you would call it a "deep-sea-blue" sunburst. Somewhere between a turquoise and a royal blue; it was truly a gorgeous guitar. I used to just sit and look at it
  10. Originally posted by EyesWithPrideB3:[..]

    I side with this view as well; I've only ever seen one person I know play an Explorer.

    And that's why I felt special "graduating" from my Strat-copy to a PRS Special Edition last year...it's cut a bit like a Les Paul, but it's definitely MY guitar; nobody else around here plays one anyway, and I've worked my own blood sweat and tears into it

    Switching gears just a bit, I once looked into buying a hollow-body guitar from a local independent store, and the brand name was Reverend. Anybody know anything about these guitars? It was expensive (for me, anyway, a teenager currently without a job), but the sound on some of the YouTube and Reverend demo videos was to die for. Here's the link to the specific guitar I considered saving up for:

    http://www.reverendguitars.com/reverend/guitars/set_neck_series/manta_ray_290.html

    The retailer around me had it in a...I guess you would call it a "deep-sea-blue" sunburst. Somewhere between a turquoise and a royal blue; it was truly a gorgeous guitar. I used to just sit and look at it


    Wow...PRSs are something else!!
    Great buy!
  11. I'm not fond on that sharp shape of the cutaways (that's why I'm not a fan of SGs), it looks so flashy to me. But the guitar seems to be awesome, and the sound on that video promises big things... How much was it? mmmmm I love blue guitars

    PS. PRS are a dream, I didn't know you've got one!! That is AWESOME!!!!!!!!
  12. Originally posted by LikeASong:I'm with Lyndon, the Explorer is not that common. Most young and non-proffessional players have copy Strats, Les Pauls or SGs... Having a Gretsch or an Explorer is much less usual

    Same here. I only know one other guy (someone I lived with in halls last year) who has an Explorer, and I've never seen it lol, I just remember him telling me on the day I got mine. Most people I know, including me, have had a Les Paul or some form of Strat. lying around before they started widening their guitarry horizons. One of my friends has a PRS plus two Strat. copies; another has a Gibson BFG and an Epi. Les Paul (his grandfather has a beautiful Gretsch - at least, I think it is, can't remember for certain - and a Mexican Fender Tele.); one of my housemates has an Epiphone G-400 + Strat. copy, whilst another housemate has an Epi. Casino and a Fender Mustang (he DID have an Epi. Les Paul but sold it to get the Casino)...I could go on but I'd just be filling space lol. I do know a fair few people with ESP/LTD shiz, but none of that does it for me. I guess I'm like Sergio, SG cuts and that sort of thing don't really do it for me, and that extends to like-minded guitars. Don't get me starting on Flying Vs...

    I think lots of people sometimes try to define themselves by looking for a guitar that no one else has. I don't feel I really buy into that - the main motivation for me getting my Les Paul and then my Explorer was mainly because I wanted to get a bit of Edginess into my life . Having said that, I don't think there's anything wrong with the former statement (about definition) I would love to get something semi-hollow in time, perhaps an original Fender Starcaster like Dave Keuning, but that won't be for a while thanks to money being virtually unheard of for me right now