1. I agree that the P/J pickup configuration is cool. But as the Classic Vibe is going a bit more for period correct configurations, I can see why it's not offered in the Classic Vibe series.
  2. If one is looking for a analog early era U2-type delay... and hasn't got the $300+ needed for a Deluxe Memory Man...

    This one might fill the bill.

    Check the first bit - 'The Electric Co".

    Malekko Ekko 616


    ...And check the 3:35 mark on this video for some convincing "Beautiful Day" tone.
  3. God that BD demo is enough to sell me on it, alone. I wish I could write like Edge
  4. I don't really understand the love for analog delay, it sounds so muddy. I think I read an article from like 1984 when he started using the SDD when he said how he hated the old delays he used and the digital ones are so much clearer.
  5. I don't think that your assertion of Edge's view on analog delays is correct. What article are you referring too?

    I don't think his beginning to use other delays, than the EH Deluxe Memory Man were due to not liking the tone. In fact he loves the warmth.

    In fact, the rack units that he's gone to are due to the fact that they do have that warmth, similar to analog units. That and he liked the pre-amp in the Korg SDD-3000.

    He's still used analog delays in the studio.

    The issue was the old EH Deluxe Memory Man were unreliable. He liked the sound and the warmth of them.

    He began using the SDD-3000 in 1983 (along with the EH DMM). What he liked then, and now about the Korg SDD-3000 is that it has that warmth, similar to and analog delay. This is also one of the selling points for the TC Electronics 2290 - It's pretty warm for a digital unit.


    Originally posted by RattleandHum1988:I don't really understand the love for analog delay, it sounds so muddy. I think I read an article from like 1984 when he started using the SDD when he said how he hated the old delays he used and the digital ones are so much clearer.
  6. These lil piggies - are pretty darn cool. Check `em out!


    Pigtronics Class A Boost. ($119) - Might be the one to go to for 20db clean boost. Probably a good one to use instead of the crazy priced old Boss FA-1. Cheaper than a Durham Sex Drive.

    Pushes amps and/or dirt pedals nicely.




    And in the Pigtronics Philosophers Rock. ($149) - Great compressor/sustainer. Not noisy like the some of the Boss and MXR compressors...

    ...+ it's got a 'grit' switch for Germanium Distortion. Sort of a three in one. Compressor. Sustain and Germanium Distortion.

  7. Originally posted by anstratdubh1979:These lil piggies - are pretty darn cool. Check `em out!


    Pigtronics Class A Boost. ($119) - Might be the one to go to for 20db clean boost. Probably a good one to use instead of the crazy priced old Boss FA-1. Cheaper than a Durham Sex Drive.

    Pushes amps and/or dirt pedals nicely.

    [YouTube Video]


    And in the Pigtronics Philosophers Rock. ($149) - Great compressor/sustainer. Not noisy like the some of the Boss and MXR compressors...

    ...+ it's got a 'grit' switch for Germanium Distortion. Sort of a three in one. Compressor. Sustain and Germanium Distortion.

    [YouTube Video]

    i prefer the ZVEX Super Hard On
  8. ProGuitarShop is a great place to buy gear. Lately Andy has been doing some lessons on various songs. Here's one of the latest - "Beautiful Day"

    Concise but it gives a solid view of the basic bits.

  9. Originally posted by anstratdubh1979:I don't think that your assertion of Edge's view on analog delays is correct. What article are you referring too?

    I don't think his beginning to use other delays, than the EH Deluxe Memory Man were due to not liking the tone. In fact he loves the warmth.

    In fact, the rack units that he's gone to are due to the fact that they do have that warmth, similar to analog units. That and he liked the pre-amp in the Korg SDD-3000.

    He's still used analog delays in the studio.

    The issue was the old EH Deluxe Memory Man were unreliable. He liked the sound and the warmth of them.

    He began using the SDD-3000 in 1983 (along with the EH DMM). What he liked then, and now about the Korg SDD-3000 is that it has that warmth, similar to and analog delay. This is also one of the selling points for the TC Electronics 2290 - It's pretty warm for a digital unit.


    [..]

    im finally replacing mine. I love the thing.

    also I picked up a fernandes native the other day for 150 bucks and im having kent armstrong p90s put in it
  10. Originally posted by anstratdubh1979:I don't think that your assertion of Edge's view on analog delays is correct. What article are you referring too?

    I don't think his beginning to use other delays, than the EH Deluxe Memory Man were due to not liking the tone. In fact he loves the warmth.

    In fact, the rack units that he's gone to are due to the fact that they do have that warmth, similar to analog units. That and he liked the pre-amp in the Korg SDD-3000.

    He's still used analog delays in the studio.

    The issue was the old EH Deluxe Memory Man were unreliable. He liked the sound and the warmth of them.

    He began using the SDD-3000 in 1983 (along with the EH DMM). What he liked then, and now about the Korg SDD-3000 is that it has that warmth, similar to and analog delay. This is also one of the selling points for the TC Electronics 2290 - It's pretty warm for a digital unit.


    [..]

    I can't remember which article or interview it was, but I really seem to remember hearing him talk about how he thought they sounded pretty crappy compared to the digital units he got later on. I could be remembering wrong, but I'm too lazy to find said article/interview.
  11. I don't think it needs any introduction, would anybody be interested in buying my ZT Lunchbox??
  12. how much alex? just curious