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  1. Originally posted by thechickenCan we hear your new amp??
    The Jazz on the magazine cover is not the same as you posted on your previous post...


    Yes indeed, tomorrow I'll try my other guitars, fool around with the settings, get it all on video..."One" played through the top humbucker on my Tele is the closest been able to get to Edge's live sound (I've also tried through my Fender and Marshall). Very exciting stuff!
  2. Originally posted by AAV711[..]

    Yes indeed, tomorrow I'll try my other guitars, fool around with the settings, get it all on video..."One" played through the top humbucker on my Tele is the closest been able to get to Edge's live sound (I've also tried through my Fender and Marshall). Very exciting stuff!


    The Jazz on the cover of the Dec 2000 Bass Player is the 1961 that Adam still owns and plays.
  3. And now for some light reading... as I paid WAY too much for the Fall 1997 issue of BASSICS that arrived today... I will get the most out of it and share with the masses!

    It's not incredibly long but there is some interesting information on the beloved by some (me) and hated by others Auerswald bass... which the article decribes as having "an amazing yellow "angel dust" iridescent effect" - Indeed!

    Here's the ENTIRE article.

    BASSICS - 1997 - VOL VII - ISSUE 1
    With a reported gross of $49 million dollars for the first half of `97, "PopMart" ranks in as the "King of Pop" tours." If you haven't experienced it for yourself, the tour tops out with a 56' x 170' LED screen (the world's largest), a 100' golden arch which breaks down into 100 transportable sections, a 12' wide stuffed olive on a 100' cocktail stick, and the world's only self-propelled mirror-ball lemon, which stands 40' high (top speed 2 1/2 mph, consumption 1 mpg - unleaded). Not to mention the 75 articulated trucks to carry 500 tons of equipment, 16 buses and a 50-seater 727 to transport the 250 touring personnel, with an additional 200 workers employed locally. Three power generators emit over 4 million watts, enough to run about 1500 homes. The logistics of building the stage every three days means that three stages are required as it takes over 3,000 man hours to build the steel structure. the sound system puts out over a million watts and weighs in at 30 tons, with 149 speaker enclosures housing 298 18" woofers, 428 10" mid-rangers and 604 high-frequency drivers!

    Formed in 1978 by the four Dublin students, U2's record sales are now in excess of 70 million. As for Adam Clayton, he and drummer Larry Mullenhad a hit of their own with "Theme from Mission Impossible". I was unable to contact him personally for this story because they were touring Europe as well as jaunting back and forth to New York for the MTV Awards, but this we know: Adam's preference for basses is generally in the Fender domain (Fender Precisions 1962-1997 and Fender Jazzes 1972-1997), although as you can see from the pictures, he's been sporting a strange beast of late. Exactly what is this golden horseshoe-shaped axe?

    After discussing Adam's technical needs, the bass was built in Germany by Auerswald Instruments, a result of the teamwork between Jerry Auerswald and Adam Clayton's bass tech, Stuart Morgan. Based around a Flying V shape, Clayton wanted a "Spacey, Flash Gordon" styled instrument but with improved balance over a Flying V. Crafted from 100+ year-old slab of cherrywood, it's set up similar to a P-J with the split P pickup mounted conversely, i.e. the could under the E and A strings is closest to the bridge

    Auerswald created cherrywood covers for the pickups to blend with the curves of the body, which is finished with an amazing yellow "angel dust" iridescent effect that utilizes metal and mother-of-pearl flakes blended with clear coats to create a multi-dimensional look. Jerry explains it this way: "For me, it was to have a very shiny and freindly yellow, and [close up], it's deep looking." Since the body is painted, you can' see the wood, but you sure can hear it. The curly-maple neck is shaped similar to a Precision but has a short scale of 80 cm (30 1/2 inches), so a lot of tweaking was done to deal with the inherent mids of a short scale. The bridge is an Auerswald patent and is fully adjustable for string height, spacing and intonation. If you like, Auerswald also offers the customer his patented working bottle opener in the headstock! Wouldn't a Dow go good now?

    From there, Clayton's signal is switched through a Bradshaw system to Alembic, SWR Interstellar Overdrive, and Ampeg preamps; a DBX 160 compressor; Mutron DBX Subharmonic, Bass Whammy, various overdrives and Boss Chorus Ensemble effects; a B.S.S. crossover; then through C-Audio power amps; and completed with two SWR Goliath Sr. 6 x 10's and two Big Ben 1 x 18 cabs. He also utilizes a Sony wireless and a Demeter D1.

    What's next for Adam Clayton and U2, we can only guess. But one thing's for sure - expect the unexpected, and expect them to continue to take things "over the top".

    HOPE YOU LIKED IT... Cheers!

  4. Originally posted by anstratdubh1979[..]

    The Jazz on the cover of the Dec 2000 Bass Player is the 1961 that Adam still owns and plays.


    But this is another one, not the 61.
  5. Originally posted by thechicken[..]

    But this is another one, not the 61. [image]


    awsome awsome awsome awsome
  6. Originally posted by thechicken[..]

    But this is another one, not the 61. [image]


    If I remember the interview correctly, that neck was swapped out to the maple one... hence it being the same bass.

    But... never trusting my memory... I shall have to investigate.
  7. Originally posted by anstratdubh1979[..]

    If I remember the interview correctly, that neck was swapped out to the maple one... hence it being the same bass.

    But... never trusting my memory... I shall have to investigate.


    The thing here are the knobs...the 61 has two tone two volume knobs...and this bass with the big block inlays has the more usual volume volume tone knobs...so, not the same bass.
  8. Originally posted by thechicken[..]

    The thing here are the knobs...the 61 has two tone two volume knobs...and this bass with the big block inlays has the more usual volume volume tone knobs...so, not the same bass.


    As the 1972 and 1961 were mentioned in the 2000 Bass Player and featured on the cover, I'm confident that is the 1961 on the cover.

    Like I said, I will have a strong long look at the Vertigo tour bass you showed the piccy of... and pull out my FENDER books and do some research to ascertain it's vintage.

    Back to the original bit about if the bass on the cover was the one from the Joshua Tree tour, it isn't. I don't think he had it then.

    He did have the 1972 during the JT tour - although he seemed to favor the finsih challenged" Precision bass

    As for the 1972 Jazz, while stripped of it's finish by it's sale at the Icons of Music auction, it was still somewhat 'tobacco' on the JT tour.
  9. Originally posted by anstratdubh1979[..]

    Might have been the black ES-175.

    [image]

    But keep in mind, they released "...Horses" as a single around the time of the Outside Broadcast and then proceeded to NOT play it... and the few times they did it acoustically... and played it similar to the "Temple Bar" single versions.

    More of the ES-175:
    [image]

    [image]

    Yeah I know about the actual ZooTV acoustic versions (need to get hold of one, but the only versions available are boots of 3-star or less quality), but I mean the New Jersey show in question, Bono plays rhythm, and it sounded like an acoustic but watching the vid, looks like the ES-175 . Compare that to the Stockholm versions, and Edge is the only one playing guitar.
    Originally posted by AAV711IT'S HERE!!!!!![/U][/I]

    My Vox AC50 has finally arrived. And thanks to a tip from bcgd, shipping was free of charge and it arrived in pristine order. Those fellas at North Coast Music are good at what they do.

    The amplifier. Two Wharfdale 12" speakers rated at 50 watts. Two incredible channels, the first with the sparkling clean tone made famous by a certain guitarist we are all fond of, and the second channel providing scintillating overdrive. I've only tried it with my Telecaster plugged straight in, I cannot wait to try my Rickenbacker and 335, and see what my overdrive pedals (Tube Screamer and Boss SD-1, both of U2 fame) can do.

    Without further ado, the Vox AC50 (all 94 lbs. of it!)
    [image]

    With Tele
    [image]

    The rest of my gear
    [image]

    Pretty cool stuff mate good going on the Vox too
  10. I prefer marshall tones myself.
  11. Originally posted by wtshnnfb01I prefer marshall tones myself.


    Marshall's are good for some things. Hi-Watts for others... but the Vox AC30TB is pretty versatile.

    Although, obviously... I would love to have one of each and a Fender Deluxe and a Fender Bassman and a...
  12. I have owned a Marshall and now I have a VOX AC30CC2X. I have to say overall, for U2 tones, I like the Vox a lot better. It's bright, and warm, and it sounds really nice. I do love the distortion on Marshall amps though, really crisp overdrive that truly screams. But now that I just got my MIJ Boss OD-2, I can make my Vox scream as well!

    P.S Man looking at those pics of Adam, he's a god damn pimp, with all of those open shirts and jackets. What a cool guy
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.