1. Just to add to the lovely hype, a post from Interference. Some bloke listened to Colm & Jim Jim who were at the private club party where NLOTH was played.

    Originally posted by mgokellyColm & Jim Jim (DJ's who played GOYB's first) were at this last night, they couldn't say much about the album (Not allowed to), they sounded really impressed. They did say when 'Stand up comedy' came on everyone stopped and looked at the speakers and then started to high five each other. They loved Magnificent and MOS as well
  2. For those of you who speak german, there's a review of the album from one of the U2tour.de admins.
    http://u2tour.de/news/article3806.html

    For those who don't, I'll just translate it:

    No Line On The Horizon
    The opening track is a clear statement- this record is different. Roaring guitar sounds a jaring bass. Bono shouts, his voice scratches and only later becomes more melodic. The chorus comes surprising and is carried by Edge's voice. The middle part is slower and classical U2 before the track paces up again. The guitar in the ends sound like Lady with the Spinning Head.
    An atmospheric dark song that leads U2 in a new sound world and that leads the way for the album: More rock, more atmospheric sounds and more varied singing.

    Magnificient
    Magnificient starts with loud Drums, Loops and Riffs that hunt each other before Edge's classical Guitar comes in. First word is the title. A very melodic song, maybe on of the best on the album. But also one that would have fit on the early albums or even on Achtung. A great finish ends the track we know as beach clip 4.

    Moment of Surrender
    One of the slowest songs. Slow dropping beats with a Fez influence start the track. Strings and Keyboards start before Bono joins in with a "broken" voice. Parts sound like the Passengers before Edge supports Bono during the chorus with his falsetto. A dark, multi-layered song with an impressive guitar solo – and an ‚Oh-Oh-Oh’-Chorus.

    Unknown Caller
    Birds,atmospheric noise and Keyboards lead in Unknown Caller. The song is marked by exciting breaks in the sound structure. Nearly completely sung in two voices, the chorus is "Restart und reboot yourself" and brings a key moment that describes the album: "I was lost between the midnight and the dawning". Another great guitar solo, dabbling Keyboards... "Escape yourself and gravity". known as beach clip 1.

    I'll go crazy if I don`t go crazy tonight
    One of the shortest tracks. Carried by Larry's drums and melodic guitars. The atmosphere partly recalls "Sometimes you can`t make it on your own", while the end clearly sounds like "Ultraviolet". The lyrics are very politicalt: "There`s a part of me that wants to riot" - "Every generation get's a chance to change the world". Possible single.

    Boots
    We know that one.

    Stand up comedy
    No track shows better the influence of Jack White and Jimi Page. Stand Up Comedy seems to come directly from the 70s and could be on the soundtrack of "Across The Universe". A rocking track and another possible single. Edge is on fire.

    Fez – being born
    First minute consists of electronic sounds only - a phone ringing, a "Boots" sample - then the song starts. Classical Edge guitar and Keyboards start before Bono comes in - bumpy, then more melodic. Partly the band sounds as raw and fresh as in the early 80s. The middle part reminds of Depeche Mode's classical synth sounds but the guitar is still leading the way. Vocals are rather rare on this track.

    White as snow
    A quiet, short song that is the beginning of the end of the album. Starts with atmospheric noise, before an accoustic guitar joins. One would expect Johnny Cashs voice.... The song is about remission and how your own brother can become a stranger. Musically it's in the line of "Spring Hill Mining Disaster".

    Breathe
    Heavy roaring drums kick off the track, Bono sings fast and murmurous. Chorus sounds like a U2 classic. The bridge has Edge chopping down shy strings and has reminiscences to "Until the end of the world". Known as beach clip 2.

    Cedars of Lebanon
    Dark Keyboards, supported by a minimalistic guitar. Bono rather speaks than he sings and is all over the place on the track, that has rudiments of "If you wear that velvet dress". Bono takes the perspective of a war correspondent in Lebanon. "Return the call to home" sounds like a fare away noise vocally carried by Edge.
  3. Originally posted by MWSAH:Just to add to the lovely hype, a post from Interference. Some bloke listened to Colm & Jim Jim who were at the private club party where NLOTH was played.

    [..]


    Eh, I'm quite impressed. Music comes on... and everyone cheers. Well that must be good. Yeah, or there were some managers of B-artists who were cheering too.... but for another reason
  4. 11 tracks - 53 minutes, btw.

    And he thinks "Boots" is the weakest track on the album.
  5. Originally posted by yeah:For those of you who speak german, there's a review of the album from one of the U2tour.de admins.
    http://u2tour.de/news/article3806.html

    For those who don't, I'll just translate it:

    For those of you who speak german, there's a review of the album from one of the U2tour.de admins.
    http://u2tour.de/news/article3806.html

    No Line On The Horizon
    The opening track is a clear statement- this record is different. Roaring guitar sounds a jaring bass. Bono shouts, his voice scratches and only later becomes more melodic. The chorus comes surprising and is carried by Edge's voice. The middle part is slower and classical U2 before the track paces up again. The guitar in the ends sound like Lady with the Spinning Head.
    An atmospheric dark song that leads U2 in a new sound world and that leads the way for the album: More rock, more atmospheric sounds and more varied singing.

    Magnificient
    Magnificient starts with loud Drums, Loops and Riffs that hunt each other before Edge's classical Guitar comes in. First word is the title. A very melodic song, maybe on of the best on the album. But also one that would have fit on the early albums or even on Achtung. A great finish ends the track we know as beach clip 4.

    Moment of Surrender
    One of the slowest songs. Slow dropping beats with a Fez influence start the track. Strings and Keyboards start before Bono joins in with a "broken" voice. Parts sound like the Passengers before Edge supports Bono during the chorus with his falsetto. A dark, multi-layered song with an impressive guitar solo – and an ‚Oh-Oh-Oh’-Chorus.

    Unknown Caller
    Birds,atmospheric noise and Keyboards lead in Unknown Caller. The song is marked by exciting breaks in the sound structure. Nearly completely sung in two voices, the chorus is "Restart und reboot yourself" and brings a key moment that describes the album: "I was lost between the midnight and the dawning". Another great guitar solo, dabbling Keyboards... "Escape yourself and gravity". known as beach clip 1.

    I'll go crazy if I don`t go crazy tonight
    One of the shortest tracks. Carried by Larry's drums and melodic guitars. The atmosphere partly recalls "Sometimes you can`t make it on your own", while the end clearly sounds like "Ultraviolet". The lyrics are very politicalt: "There`s a part of me that wants to riot" - "Every generation get's a chance to change the world". Possible single.

    Boots
    We know that one.

    Stand up comedy
    No track shows better the influence of Jack White and Jimi Page. Stand Up Comedy seems to come directly from the 70s and could be on the soundtrack of "Across The Universe". A rocking track and another possible single. Edge is on fire.

    Fez – being born
    First minute consists of electronic sounds only - a phone ringing, a "Boots" sample - then the song starts. Classical Edge guitar and Keyboards start before Bono comes in - bumpy, then more melodic. Partly the band sounds as raw and fresh as in the early 80s. The middle part reminds of Depeche Mode's classical synth sounds but the guitar is still leading the way. Vocals are rather rare on this track.

    White as snow
    A quiet, short song that is the beginning of the end of the album. Starts with atmospheric noise, before an accoustic guitar joins. One would expect Johnny Cashs voice.... The song is about remission and how your own brother can become a stranger. Musically it's in the line of "Spring Hill Mining Disaster".

    Breathe
    Heavy roaring drums kick off the track, Bono sings fast and murmurous. Chorus sounds like a U2 classic. The bridge has Edge chopping down shy strings and has reminiscences to "Until the end of the world". Known as beach clip 2.

    Cedars of Lebanon
    Dark Keyboards, supported by a minimalistic guitar. Bono rather speaks than he sings and is all over the place on the track, that has rudiments of "If you wear that velvet dress". Bono takes the perspective of a war correspondent in Lebanon. "Return the call to home" sounds like a fare away noise vocally carried by Edge.


    brilliant. thanks for posting
  6. The tiny knowledge I have of the German language tells me that Bjorn heard the songs twice. I hope his review is fairly objective.
  7. Thanks Yeah, this really made me excited. Bono's speaking on COL...love it already. And Fez/Being Born with it's electronics, awesome
    And I read something about Passengers-influences
  8. Bjorn also says (in the German article) that the album makes him hungry for more. It's a grower and U2 really shows they're still able to innovate and make fantastic music.

    He's also wondering how the live-arrangement will be, since they use a lot of keyboards and stuff.

    For me, this review is the most in depth-review we've seen so far. It's Bjorn's opinion of course, but he definately knows how to make fans even more excited.
  9. Awwwwwwwww yea! This album sounds amazing! I'm glad he said Boots is the weakest track, not because it's bad, but because we have so much more to look forward to now!
  10. Originally posted by MWSAH:The tiny knowlegde I have of the German language tells me that Bjorn heard the songs twice. I hope his review is fairly objective.


    Yep, he had the chance to listen to it twice. And his reviews are usually spot on. He takes off the Fan-Glasses before writing.
    Overall rating: 8-9/10.
    Minus: Too many ooh ooohs.

    Another reviewer from a german mag calls it "the most exiting U2 work in the last 10 years".
    She hears Portishead-like sounds in "Moment Of Surrender" and "Fez" Chili Peppers elements in "Stand Up Comedy" and the Stones in "Breathe".
    Minus: Bono's voice gets drowned in the "Wall of Sound".

    Her summary: The fan is excited - the non-fan is pleasantly surprised that one can listen to U2 in 2009 without getting aggressive.


  11. A 5th member on stage? (Gavin Friday?)

    Nah, probably pre-recorded or just left behind...