Originally posted by vanquish:[..]
Wait a minute, you think Crumbs From Your Table was the best song from HTDAAB?
I thought that it was easily the worst (or one step closer), Crumbs is dad rock right there.
And again I urge you to find another topic
Originally posted by vanquish:[..]
Wait a minute, you think Crumbs From Your Table was the best song from HTDAAB?
I thought that it was easily the worst (or one step closer), Crumbs is dad rock right there.
Originally posted by stj0691:So I've read over all 17 pages (25 posts per page or so)
And how would one get a Q mag in the States?![]()
Originally posted by Yogi:Bomb is an beautiful album.
And about beach clips, I think that today they're completely irrelevant.
Originally posted by vanquish:[..]
How are they completely irrelevant, we have glimpses of songs (perhaps even complete songs) from the new album. More useful than the two sentences about a songfrom the Q articles in my book.
Originally posted by aussiemofo:[..]
Wow. You have a lot of insight for someone who hasn't heard the new album!![]()
Originally posted by Yogi:Bomb is an beautiful album.
And about beach clips, I think that today they're completely irrelevant.
Originally posted by stj0691:So I've read over all 17 pages (25 posts per page or so)
U2 are releasing an album, supposedly to be their best ever. It's been said it's keeping with the spirit of Achtung Baby, which to me means a lot of things. Lyrically dark? Dark sounding? A complete change from what we're used to (presumably HTDAAB).
Here's another thought:
HTDAAB was a return to rock's roots and sounds from today, and ATYCLB went back to Joshua Tree-esque rock.
FOR THIS TO WORK, FOLLOW![]()
The year is 1990, you are a U2 fan. You just saw them in Rotterdam. As you retreat to your home, you wonder, what will the next album be like? You are used to rock 'n' roll, and U2 being the masters of the 80s. You're used to guitars, drums, bass guitars, and synths that don't seem odd. Then the salome tapes emerge. The first word to come to mind? Most likely, 'odd', 'different', or 'weird'. The album then comes out and blows you away. From the opening industrial echo of Zoo Station to the closing crescendo of Love Is Blindness. You are stunned U2 would betray you and the 80s like that. However, you connect with the music since it has the sonic U2 signature upon it's very notes. - THE WORLD WENT WEIRD
Fast forward 17 years. To me 17 years means a lot too, because I was lucky enough to be born in the same year Achtung came out. Anyways, we are '00s fans' and U2 want to follow the spirit of Achtung. What exactly is the spirit of Achtung? Being different, because it's what U2 does best. They want to, once again, re-define their name. Some of the track names seem atmospheric (Magnificent, Momement of Surrender, No Line on the Horizon, Every Breaking Wave, Breathe, and Winter) while some remind me of the dark images of Achtung (Get on Your Boots, Unknown Caller, No Line on the Horizon [2nd Take], and Cedars of Lebanon). And then there are tracks that seem like they are from the 60s brought to present day (Stand Up and Crazy Tonight). How do you bridge atmosphere, darkness, and some 60s sounds? The bridge between those my friends, is the key to what the new album has in store. - SUPERNOVA
Also, 'directions' as described in 'Unknown Caller' is something finite while the atmospheric songs seem infinite. An album against itself? Contradictory wouldn't you say?
I've gone and rambled again, time to hide behind the trenches once more.![]()
And how would one get a Q mag in the States?![]()
Peace,
Steve
Originally posted by vanquish:[..]
With regards to being similar to the Salome tapes, they're not, apparent if you've actually listened to them. They are the end product of a full production process, not jam sessions on tape.
Originally posted by vanquish:[..]
With regards to being similar to the Salome tapes, they're not, apparent if you've actually listened to them. They are the end product of a full production process, not jam sessions on tape.
[..]
Glad to see someone actually reads the thread befored diving in and posting redundant info and statements, like others have had on this thread.
While I would like a lyrically dark record in the vein of AB, Pop. I very much doubt so, if you have listened to the beach clips, the songwriting is very much Bomb/ATYCLB in tone albeit with more innovative with more radical rhythm/song structures. It definitely is no way near as dark as AB, nor does it have the same 'knowing sarcasm' of songs like Zoo Station, The Fly etc.
'Also, 'directions' as described in 'Unknown Caller' is something finite while the atmospheric songs seem infinite. An album against itself? Contradictory wouldn't you say? '
I don't get this statement? what directions, the phone messages? I think you're reading too much into the song and the album there.
Anyway where we were before all the HTDAAB is bad talk erupted (Thanks for curbing Gerard) was discussing what was the last beach clip.
Could be about a guy changing who he is for the better. Originally posted by aussiemofo:[..]
"End product"?? How do you know? I'm really intrigued now. How do you know if you haven't heard the new album?![]()
Originally posted by vanquish:
But again listen for yourselves, perhaps in the dark, helps you focus better.
http://rapidshare.com/files/177153145/Bens_Beach_clips_2008_eqd.zip.html
Originally posted by aussiemofo:Wow. You have a lot of insight for someone who hasn't heard the new album!![]()

Originally posted by stj0691:Could be about a guy changing who he is for the better.