That's the statement from one taper. There were others.
If you can't find it, I can upload Wembley later. Don't hold your breath, though. Bad recording.
Thanks for the offer. I didn't find it but I have to admit that I didn't search very hard.
I rarely hold my breath when it comes to IEM's. I can understand the joy lots of people experience when listening to an IEM, but to me it's usually just a tough listen, interesting to hear a few but rather for their peculiarity than for listening pleasure. And to be honest, I more and more tend to only care about listening pleasure.
I might be interested in trying a matrix, depending on how bad exactly the recording is. Or does a matrix already exist? I do believe you're not interested that much in such projects so I won't ask you to share it here just for experimental purposes that probably will fail or never be finished.
Just out of curiosity I played some around with the Paris IEM & aud sources. Nothing really fancy, just some basic cleaning up, EQ and mixing down. Not sure whether it's worth finishing. Opinions please. Here's one track: http://www.megaupload.com/?d=4PR1DM9O
Again it's just an experiment, please ignore hiss and other sloppiness that wouldn't be present in a serious attempt.
Ok, Bedoc allowed me now to do this matrix. Here is a sample of my mix:
Removed, cause of update.
I reduced the volume of the IEM's considerably. I have used a nice guitar-Filter from Adobe Audition to bring Adams Bass more in front. I also used the Center-Channel Extractor to boost all instruments a little bit. No other EQing. What do you think?
@noiseless
I like your mix. The best audience source of Paris 2 is the Godfather-Silvers.