1. aussiemofo's review of:

    2006-11-07 - Brisbane, Australia - Queensland Sports And Athletics Centre

    Sound

    Pretty average. The band were very distant. Edge never really came out to play and Larry lacked penetration thoughout the whole recording. Even Bono was quite muffled. Only very audible band member was Adam. In fact, he was drowning Edge out on numerous occasions I felt.

    However, arguably the biggest downer of the whole recording was the audience. This was much worse than the previous BRT show (Turin, Elevation). The crowd in the vicinity of the taper were just way, way, way, way, way, way too audible. Collective cheers and sing-alongs are a vital ingredient for an excellent audience recording but when you can clearly hear individual conversations it disintegrates the whole listening pleasure. This reached almost unbearable levels when two girls were bitching about not being able to see throughout Bullet the Blue Sky and Miss Sarajevo. "We need to get a bit closer...."The tall people are always at the front... "Can you see through there...I don't think this is gonna work..."There's so much space in that thingy (ellipse) down there" For goodness sake shut the f*ck up so we can listen to the goddam show! The taper must have been spitting chips!

    Overall, between the audience in my ear and me constantly thinking "Edge where the hell are you?" this just scraped over the line as a 3-star.

    Performance

    It's a very surreal thing, listening to a show you attended and loved every second of. Obviously, objective reviewing is thrown out the window here.

    I felt the boys delivered a solid show to kick off the final leg of the Vertigo Tour. The setlist had somewhat evolved into a 'Best Of' with an obvious focus on HTDAAB and ATYCLB to pay the fans back after not touring during Elevation - the first Aussie show since Popmart.

    You could tell Bono in particular was pleased to take to the stage again after an 8-month lay-off. His voice was better than South America but was still warming up and a long way from reaching the beautiful heights of Saitama. His showmanship was on display also, even seeing fit to inject himself into the local political hot potato at the time: "Tonight we're calling for (former Australian Guantanamo prisoner) David Hicks to be brought back to Australia to face a fair trial" and during Streets "That's right, Mr Howard!"

    While I'm quoting I can't go past this little beauty before One "Look at that beautiful moon. Oh, that's a spotlight... "

    All classics were delivered proficiently with a joyous enthusiasm. Walk On in particular (not a fan of the song) was a refreshing addition and got the crowd going from the first note, opening set did the job and the War and Human Rights sets lifted the atmosphere to another level. It was rounded out by a very impressive encore performance including a vibrant rendition of Angel of Harlem (see highlights)

    Highlights:
    The whole show....

    Out of this recording, I've got to say Walk On. It was really the bright spot in the first half of the show.

    Angel of Harlem towards the end was a gem. It's a real crowd pleaser in Australia. Bono's rap around the middle was superb and the snippet was a nice touch.

    Kite was a brilliant closer. I remember thinking "This is the very first time they've played it this way. What a treat" That it was.

    The Streets Of Your Town snippets were surprising, yet touching, tributes to the late Grant McLennan, co-founder of legendary Brisbane band The Go-Betweens.

    Lowlights:
    None to speak of.


    Overall
    A brilliant fifth leg opener. Time to download the upgrade that Gerard posted. The sound on this one did not deliver the overwhelming potential the actual show clearly had.
  2. 2006-11-07 - Brisbane, Australia - Queensland Sports And Athletics Centre

    Sound

    Certainly not the best Australian Vertigo show I've heard related to sound - I'd say some of the Sydney shows (and even the Melbourne ones) sounded way better. It seemed like the taper was just too far away from the speaker stacks, and probably more towards the back - I've heard better, but it was there.

    The good thing was that I could pick up Larry's drumming, Adam's bass and Edge's guitar, particularly during the first hour. For a recording supposedly not one of the best Australian ones going around, I could certainly pick them up. Did anyone else think the recording made the show sound like the audience was hardly there?


    Performance

    U2 kicked off their six-show Australian tour for 2006 firstly in Brisbane, Queensland, rescheduled from March 2006 as we know - the first U2 performance since February 1998 on POPmart - as we missed out on Elevation. I still can't believe that the greatest band in the world was here almost two years ago, yet it feels like yesterday - I can still remember listening to the very first rehearsals that I was sent a day after they took place, and seeing all the photos.

    I don't think any of the songs here were really performed badly (unlike the late 2005 stuff in North America), but have a go of the vocals during Beautiful Day. Bono held his notes beautifully here, and for the first show of the last leg, Miss Sarajevo was performed greatly. So the Australian performances got what they missed all those years ago with plenty of ATYCLB - Beautiful Day, Walk On and Kite were just great.

    I've said that I'm not a huge fan of One and never have been (it's just missing something) but for some reason on all of the final 2006 shows, I found it to be a real beautiful song and I actually enjoyed it. I don't know why. As aussiemofo has said, there were some brilliant Australian moments (Streets of Your Town, Young Americans (changed to Young Australians) and Bono's plea for David Hicks to face a fair trial). I'm sure many people would know his treatment was a sick joke.

    And that performance of Kite was something to behold. Throughout the entire Australian set, every night this got the justice it deserved back on the Elevation Tour, because it is a beautiful song, and the crowd getting into The Saints Are Coming was nothing short of brilliant. This is gonna take off on the next tour, if it is indeed played ever again.

    All in all, a wonderful show and I would have loved to have been there.
  3. Originally posted by drewhigginsDid anyone else think the recording made the show sound like the audience was hardly there?



    As a collective, no they weren't there at all in the recording. A shame considering the stadium was packed to the rafters and everyone went off during the classics, particularly Streets. But those people around the taper? Good God!
  4. I think it was all to do with familiarity if anything. How many people are familiar with songs like Miss Sarajevo as opposed to Beautiful Day?

    How many people bought Passengers, if any?
  5. Originally posted by drewhigginsI think it was all to do with familiarity if anything. How many people are familiar with songs like Miss Sarajevo as opposed to Beautiful Day?

    How many people bought Passengers, if any?


    I think a lot of casual fans only recognise Miss Sarajevo when Bono turns into Pavarotti. Then they finally get into it.
  6. Originally posted by aussiemofo[..]

    I think a lot of casual fans only recognise Miss Sarajevo when Bono turns into Pavarotti. Then they finally get into it.


    Out of all the songs played, I'd say that would be the only one people would not have known before. Yahweh, possibly because of HTDAAB. And don't forget The Hands That Built America (as well as The Saints Are Coming, of course). The rest are standard U2 fare.
  7. my review will be coming within the next day or so
  8. decent early reviews fellas. I hated the sound. Cold, isolated, thin, distant, individual crowd members. Horrid. 3 stars is generous
  9. Originally posted by germcevoydecent early reviews fellas. I hated the sound. Cold, isolated, thin, distant, individual crowd members. Horrid. 3 stars is generous


    I agree 100%
  10. Originally posted by germcevoydecent early reviews fellas. I hated the sound. Cold, isolated, thin, distant, individual crowd members. Horrid. 3 stars is generous

    Tis like listening through 30 ft of breeze block.

    Not good.
  11. Originally posted by WojBhoy[..]
    Tis like listening through 30 ft of breeze block.

    Not good.


    and the taper was only 25 meters from the speaker stack. Must have been crappy equipment maybe. air play for trying. It'l be 2.5 stars at the end of the discussions and reviews
  12. It reminded me of one of my Who bootlegs from uh, 1967?