Originally posted by hamman:" The only thing that well-being and amount of struggle has anything to do with it is how YOU hear the music based on YOUR life. It affects everybody differently."--
That's a bunch of crap. That's why urban music has become so popular is because the cities are growing and those people form those backgrounds can relate to those songs. Ask a black person from the streets if he can relate to most of the U2 songs. They usually only know of Bono or of U2 but not the any songs. Why? Because they can't relate to what he's saying and how their saying it. If you can't understand that look at the today's music charts. That's just dumb saying relevant isn't about how well off a person is. Look at the facts, at what's being played, instead of this theoretical bullsh$$ you've concocted.
I never said I didn't like their new album, I did. To me, them being relevant doesn't matter. I like their music anyways, thats why I said, "I don't know why Bono cares so much about being relevant".-- If it affected everybody so differently, no one artist would be extremely popular. And your trying to tell me how I listen to music. It's obvious if you know anything about U2 that when they made all those great albums you listed, U2 wasn't set for life, they still could go broke, with the exception of Achtung Baby. So yeah, relevancy obvisoulsly does have something to do with popularity or selling albums. And when Bono says a coffee shop he used to go to regularly, got blown up,I'd say he felt those struggles. You can have your personal opinion, but when U2 made the Joshua Tree, their highest selliong album, they weren't set for life, and that's a fact.
First of all, I think saying that all urban people can't relate to any U2 song is kinda unfair. Just because they live in an inner city doesn't mean that they have no relation to any other music genre besides rap ("urban music"). Besides, I think in the situation you describe, those people would have grown up in a culture in which that specific type of music was so prevalent, it would be very rare for someone to take to a completely different form of music (i.e. one that sounds and is structured so differently). In other words, you grow up only listening to really one type of music...it's very hard to find something you like in another type. Also, it seems to me that relevancy is completely about how people individually react to a song. Sunday Bloody Sunday, a song about a very specific event, received universal appeal (i.e. not just to people in Ireland who were directly affected by the IRA, etc.) because people could relate (on an individual basis) to the theme of struggle, loss, want of peace in their lives, and so on. Where someone comes from...whether or not they are rich...has nothing to do with it. Based on your argument, I'd guess that many urban people, especially those from an inner city, would enjoy or at least respect the message of the song itself. You say to look at the charts...at what's being played. Well, pretty much anyone on that list is more well off than any one of us, and yet they are "relevant." Music is such an individual, subjective thing, I don't see how wealth has ANYTHING to do with it.
By the time The Joshua Tree came around, U2 weren't the richest musicians in the world, but they were much more well off than the average Joe. The argument isn't about whether relevancy is about popularity (I mean, that's basically a synonym...I don't think it's possible to argue otherwise), but whether or not an artist's monetary situation has anything to do with it, or am I missing something? If that's the case, how did All That You Can't Leave Behind do so well and catapult U2 back to being the "best band in the world"? They were set for life, yet millions of people were still able to connect with it on such a personal level, it was considered their third masterpiece...