U2
Wembley Stadium
London, England
August 14, 2009
Drew's Dub 5-Source Matrix. Mixed and Mastered in Adobe Audition 3.0
Sources:
1. Taper: M!les - Sony ECM-719 stereo mic > M-Audio MicroTrack II @ 24bit/48kHz > MicroTrack II > USB > .wav > WaveLab > 16b44.1k > CD Wave > FLAC @ level 0, SBEs aligned, verified OK
2. Taper: kevtic - Sharp Md Sound professional Cardioid Mics>Audacity>Traders Little Helper> Flac 8
3. Taper: CHRIS VOYNET - DPA 4061 > Olympus LS-10 (16/48) > Kingston SD Card (8Go) > USB 2.0 > WAV > Soundforge 8.0 (normalisation) > CD Wave Editor (tracking) > FLAC (8)
4. Taper: ificould - Adam's IEM > Icom R5 + Tascam Dr-07 > Transcend Card 8 GB > Notebook > Cdwave editor > wave > flac 7
5. Taper: Coggster - microhpone madness MM-BSM-8 > Sound pro battery box with bass roll off filters > Hi-Md Sony recorder > WAV converted to 16 bit FLAC
Tracklist:
01 Kingdom Intro
02 Breathe
03 No Line On The Horizon
04 Get On Your Boots
05 Magnificent
06 Beautiful Day
07 Elevation
08 I Still Haven't Found What I'm Looking For
09 Stuck In A Moment You Can't Get Out Of
10 Unknown Caller
11 The Unforgettable Fire
12 City Of Blinding Lights
13 Vertigo
14 I'll Go Crazy If I Don't Go Crazy Tonight (remix)
15 Sunday Bloody Sunday
16 Pride (In The Name Of Love)
17 MLK
18 Walk On
19 Where The Streets Have No Name
20 Desmond Tutu Speech
21 One
22 Mysterious Ways
23 UV Intro
24 Ultraviolet (Light My Way)
25 With Or Without You
26 Moment Of Surrender
Drew's Notes:
Thanks to all the tapers. All the sources sound really good, and even better when mixed together. I have a new appreciation for Adam's Bass work. There are little bits of static here and there on the IEM, not to bad, very listenable. I did a bit of EQ on all tracks. I also cleaned up a lot of the audience noise that was very distinct (clapping, yelling, etc) where I thought it was needed. When Bono is talking right before Unknown Caller, the IEM is absent for just the speech, it is there the rest of the show. Don't ask me what happened to it, I never had that 10-15 seconds on the source I was working with. This is the third take I did of this show. The Metronome is most present on this take than the other 2 I did. The reason I put it on this one is because you'd get a really annoying drone like sound when it was just the metronome and audience noise. It gave me a headache, so I put the 3-10Hz bands back in the mix, and it sounds pretty good now. I also made the covers if anyone cares.
Enjoy,
Don't Sell ANYWHERE, and please share lossless only.
