1. By the way, I have downloaded Emiel's show and will review (hopefully on time!!!)
  2. Listen to RTSS.

    Magnificent version.

    In fact, the whole concert is pretty bloody good.
  3. ASOH is superb.

    If anyone likes the WAIA version then download this now!!!!
  4. Review for Daly City, California.

    Performance

    Many argue that there's no better way to start a show than with Where The Streets Have No Name. I don't think there's a better way to start a Joshua Tree show that's for sure. Tonight's show, in Daly City, is right in the middle of the first North American leg and the band sound like they are well into the groove by now. Each member is spot on with the delivery of Streets and this can only provide the base for an excellent show. Immediately upon finishing Streets, they rip into the fan favourite from their debut album, I Will Follow. Expectedly, the band nail it and the crowd love it. Continuing to pull out the big hits, I Still Haven't Found What I'm looking For follows on. Bono sounds in perfect voice, the rest of the band seem to be in perfect form. Lovely snippet of Exodus at the end too, one of my favourites. In a throwback to the previous tour, MLK provides the perfect introduction to The Unforgettable Fire. I've always been of the opinion that The Unforgettable fire was played better during this tour than on the tour for its respective album. From the moment those first notes are heard, it's four minutes of shivers. The Edge sounds amazing, he always does, but it's Bono's vocals that steal the show. Powerful delivery.

    Bullet the Blue Sky imposes itself on the show now, after a fairly subdued evening, this is the first full on rock song for me. Driven by Larry's drumming, it really is a song that gets in your face. I'm all for it, excellent performance. Once it's hit it's peak, bang! Everything comes crashing down to the sound of Running To Stand Still. Another chance for Bono to show how good his voice is at this stage of his career. Simply perfect. No other words to describe it. As Bono tells us that the world revolves around Ireland, we can hear the simmering sound of the next song. A live classic from previous album, A Sort of Homecoming. The crowd love it and I love it. Another powerful performance, particularly from Bono. Sunday Bloody Sunday picks up where Bullet the Blue Sky finished off. Energetic, loud, thumping. Simply nailed. This is one of the songs where The Edge really shines as the backing vocalist. Now, it's one of my favourite songs from The Joshua Tree and a song that really explodes when played live, Exit. Absolutely love the snippet of Gloria at the end too. A thoroughly enjoyable performance.

    In God's Country moves us along nicely. Bono messes up in the first verse, forgetting the words it seems. The highlight of this song will always be The Edge's guitar. Bad is up next, begins with the usually story of the songs background and moves into a typical lengthy performance. Rounded off with the common snippets, Ruby Tuesday and Sympathy for the Devil. Bono encourages the crowd to join in and they oblige. The Edge moves over to his piano for October, building up to the next big hit, New Year's Day. If the crowd love October, just wait until they hear what's coming next. As you'd expect, the Cow Palace erupts. Now it's Adam's time to shine. In truth, they all shine. Perfect build up to arguably U2's greatest hit until now, Pride. Great way to end the main setlist.

    Opening the encore is With Or Without You. Exceptional performance and exceptional snippets at the end. Tonight was worth it for this alone. The band then aim to send the audience home with a spring in their step with Gloria, not Van Morrison this time. It's well executed as you'd expect with an old favourite. It would be a really good way to end the night, if it wasn't for '40'. This really does close the set down perfectly. Bono's additional vocals in the song are worth hearing.

    Rating: 4.5 out of 5

    Audience

    They're well up for it. The love to hear the little songs as much as the big hits, cheering and clapping throughout. They join in with the singing as well. Can't ask for much more, just a shame they're a little quiet and muffled in the audio.

    Rating: 4 out of 5

    Sound

    A little muffled but it doesn't stop the overall enjoyment of this show. The Edge's guitar rings through, Larry can be heard quite clearly and it's no trouble picking out Adam's baselines. The audience also come through well, though they'd sound much better in a cleaner recording.

    Rating: 3.5 out of 5

    Overall

    Overall, it's an almost faultless show. The band are really into the swing of things, each track is more or less played excellently, the crowd are really up for it and the sound is good enough to enjoy the show. Of course, the sound could be better, but don't let that ruin the show too much.

    Highlights:
    - I Still Haven't Found What I'm Looking For
    - The Unforgettable Fire
    - Running To Stand Still
    - A Sort of Homecoming
    - Exit
    - With Or Without You

    Lowlights:
    - The sound

    Rating: 4 out of 5
  5. Originally posted by iTim:Review for Daly City, California.

    Performance

    Many argue that there's no better way to start a show than with Where The Streets Have No Name. I don't think there's a better way to start a Joshua Tree show that's for sure. Tonight's show, in Daly City, is right in the middle of the first North American leg and the band sound like they are well into the groove by now. Each member is spot on with the delivery of Streets and this can only provide the base for an excellent show. Immediately upon finishing Streets, they rip into the fan favourite from their debut album, I Will Follow. Expectedly, the band nail it and the crowd love it. Continuing to pull out the big hits, I Still Haven't Found What I'm looking For follows on. Bono sounds in perfect voice, the rest of the band seem to be in perfect form. Lovely snippet of Exodus at the end too, one of my favourites. In a throwback to the previous tour, MLK provides the perfect introduction to The Unforgettable Fire. I've always been of the opinion that The Unforgettable fire was played better during this tour than on the tour for its respective album. From the moment those first notes are heard, it's four minutes of shivers. The Edge sounds amazing, he always does, but it's Bono's vocals that steal the show. Powerful delivery.

    Bullet the Blue Sky imposes itself on the show now, after a fairly subdued evening, this is the first full on rock song for me. Driven by Larry's drumming, it really is a song that gets in your face. I'm all for it, excellent performance. Once it's hit it's peak, bang! Everything comes crashing down to the sound of Running To Stand Still. Another chance for Bono to show how good his voice is at this stage of his career. Simply perfect. No other words to describe it. As Bono tells us that the world revolves around Ireland, we can hear the simmering sound of the next song. A live classic from previous album, A Sort of Homecoming. The crowd love it and I love it. Another powerful performance, particularly from Bono. Sunday Bloody Sunday picks up where Bullet the Blue Sky finished off. Energetic, loud, thumping. Simply nailed. This is one of the songs where The Edge really shines as the backing vocalist. Now, it's one of my favourite songs from The Joshua Tree and a song that really explodes when played live, Exit. Absolutely love the snippet of Gloria at the end too. A thoroughly enjoyable performance.

    In God's Country moves us along nicely. Bono messes up in the first verse, forgetting the words it seems. The highlight of this song will always be The Edge's guitar. Bad is up next, begins with the usually story of the songs background and moves into a typical lengthy performance. Rounded off with the common snippets, Ruby Tuesday and Sympathy for the Devil. Bono encourages the crowd to join in and they oblige. The Edge moves over to his piano for October, building up to the next big hit, New Year's Day. If the crowd love October, just wait until they hear what's coming next. As you'd expect, the Cow Palace erupts. Now it's Adam's time to shine. In truth, they all shine. Perfect build up to arguably U2's greatest hit until now, Pride. Great way to end the main setlist.

    Opening the encore is With Or Without You. Exceptional performance and exceptional snippets at the end. Tonight was worth it for this alone. The band then aim to send the audience home with a spring in their step with Gloria, not Van Morrison this time. It's well executed as you'd expect with an old favourite. It would be a really good way to end the night, if it wasn't for '40'. This really does close the set down perfectly. Bono's additional vocals in the song are worth hearing.

    Rating: 4.5 out of 5

    Audience

    They're well up for it. The love to hear the little songs as much as the big hits, cheering and clapping throughout. They join in with the singing as well. Can't ask for much more, just a shame they're a little quiet and muffled in the audio.

    Rating: 4 out of 5

    Sound

    A little muffled but it doesn't stop the overall enjoyment of this show. The Edge's guitar rings through, Larry can be heard quite clearly and it's no trouble picking out Adam's baselines. The audience also come through well, though they'd sound much better in a cleaner recording.

    Rating: 3.5 out of 5

    Overall

    Overall, it's an almost faultless show. The band are really into the swing of things, each track is more or less played excellently, the crowd are really up for it and the sound is good enough to enjoy the show. Of course, the sound could be better, but don't let that ruin the show too much.

    Highlights:
    - I Still Haven't Found What I'm Looking For
    - The Unforgettable Fire
    - Running To Stand Still
    - A Sort of Homecoming
    - Exit
    - With Or Without You

    Lowlights:
    - The sound

    Rating: 4 out of 5

    Glad to see you liked the show i picked!
  6. My review will be up in a few hours. I've also picked our next show.
  7. Performance

    Well, I fired up foobar and opened this bootleg for the first time. Streets is just the Way to start a show. I immediately though 4.5 stars just from the euphoria that Streets brings to the party. Coming out of euphoria for a moment and I can report that this is an excellent version of Streets. Very typical of the Joshua Tree era. Absolutely sublime. The greatest song in the world leaves a tough act to follow, but you can’t go wrong with a nice upbeat title and that’s exactly what we get. I Will Follow gives us a high tempo lift that the early section of any setlist needs. Still Haven’t Found is usually objectionable this early in the setlist, but with plenty of drums and a quick pace, they manage to pull it off. Another fantastic version, even though this is another song I believe matured nicely with age. MLK… Fine, I’ll run with them on it, but it really doesn’t belong this early in the set. It’s a good version though.

    The Unforgettable Fire soon gets us jumping though, and what a version it is. “And if the mountain should crumble”… I don’t think this song ever will. Bullet was surprisingly powerful for a J Tree performance. It was always an underrated song before Zoo TV. And then of course, Running to Stand Still. What else could follow Bullet the Blue Sky? There’s always a drop of emotion that goes along with this song, and this version doesn’t disappoint. Epic conclusion to this part of the set.

    A Sort of Homecoming has always been one of my favourites, and I have rather high standards. Everything about this version is excellent. The soft start; the strong vocals, the whole package. I’m one of the few that can still tolerate Sunday Bloody Sunday. It’s place as one of the greatest songs of all time is much deserved in my opinion. Sure, it’s been played many times and we’re all a bit sick of hearing it, but a good version should always excite you and entice that rebellious spirit the song is famed for. “If you want to say no to putting people behind bars because of their point of view. Well say it again, only fucking louder. NO MORE! NO MORE!”. I think that box is most certainly ticked. Really, really enjoyed this. Putting Exit after that performance of SBS is genius. A somber, powerful, punchy note following a strong song. What a performance it was too.

    In God’s Country gives a decent amount of cheer back to our amazing set. Bono screws up a bit on the intro but that can be forgiven, thanks to the overall strong performance of this song. Oh, that famous synth. The bells ring and everything else falls silent. The length by itself tells me that we’re in for quite a performance, and my oh my does it deliver. One of my all-time favourite versions of Bad is Rosemont 1987. This really comes close to matching it. Bad was just on fire during this era. October is good. Hard to muck up a song this simple though, isn’t it. We gracefully flow into New Year’s Day, and the crowd certainly seem pleased. One hell of a roar there. A very strong performance we have as well. I always find that New Year’s Day is benefited by a clean taping, and it’s a little let down on that front by the muffled sound in this bootleg. Pride just had so much energy! I would argue that Pride has always sounded rich, but these early performances just sounded so fresh.
    Now here is one hell of a song to open an encore with. Coming pretty close to song perfection, we have With or Without You. It had more of a clinical sound back then, but one which really suited the song. I can’t fault the performance. An ultimate highlight of the set. Before I’ve even got my bearings from that sublime finish on WOWY, I’m thrown headfirst into Gloria. Head spinning, I can report that it falls right in line with the quality of Gloria you have come to expect. 40 is the perfect end to everything. End of a show? 40 End of a tour? 40 End of the world? 40. “How long to sing this song…”

  8. Nice review Ross

    "End of the world? 40" - so true
  9. Performance: 5 stars
    Doesn't get better in my opinion.

    I've had 1987-04-29 (Rosemont / Rock's Hottest Ticket) for some years now and it's always been a favourite that I've considered the best JT show. However, this steps up to the mark and just pips it.

    Streets is perfect. BTBS powerful. RTSS soft, subtle and heart wrenching. ASOH just fabulous. WOWY superb.

    The snippets are great, the band were on top form and I don't think Bono's voice has ever sounded better.


    Audience: 4 stars
    Loud when they needed to be, quiet when they needed to be.

    Sound: 4 stars
    Not the best quality ever, but I didn't really notice it was that good a show.

    Overall: 5 stars
    If anyone were to ever ask what should be the first show to listen to, this is it.

    Highlights:
    -ASOH
    -Streets
    -RTSS

    oh hell - the whole show is a highlight!
  10. Oops, it's Monday

    Good selection of reviews this round, I'm sure Pato will submit when he appears next. Keep your eyes peeled for a new show!
  11. ***New Show***

    2001-04-06 - Denver, Colorado - Pepsi Center

    Audio: 4* Audience Recording
    Downloads: 445
    Chosen by: Ross1441
    Review by: 9th December

    Setlist
    1. Elevation / Creep (snippet)
    2. Beautiful Day
    3. Until The End Of The World
    4. New Year's Day
    5. Stuck In A Moment You Can't Get Out Of
    6. Gone
    7. Discothèque / Devil Inside (snippet) / Love To Love You Baby (snippet) / Staring At The Sun (snippet)
    8. New York
    9. I Will Follow
    10. Sunday Bloody Sunday / Get Up Stand Up (snippet)
    11. Sweetest Thing
    12. In A Little While / Crazy Love (snippet)
    13. The Ground Beneath Her Feet
    14. Bad / 40 (snippet)
    15. Psalm 116 (snippet) / Where The Streets Have No Name
    16. Mysterious Ways
    17. The Fly

    encore(s):
    18. Bullet The Blue Sky / Whole Lotta Love (snippet) / Young Americans (snippet)
    19. With Or Without You
    20. One / 40 (snippet)
    21. Walk On
  12. I'm in!!!!