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  1. (Nice to have you, LikeASong)
    Thanks I always wanted to join, but I never could. This looks great
    Originally posted by ReclinerManThat's an arrangement. But after this show, I suggest we take a two week leave due to the holidays. Does that sound good?
    I'm in for that request. I'm having tests and people in general begin to be less-available (Xmas Holidays, family, etc.). Supports??
  2. Originally posted by ReclinerMan[..]

    That's an arrangement. But after this show, I suggest we take a two week leave due to the holidays. Does that sound good?


    if at least 2 people are hapyto listen and post over christmas I reckon we should continue
  3. Originally posted by germcevoyif at least 2 people are hapyto listen and post over christmas I reckon we should continue


    Well, that will all depend on when the time comes.
  4. Originally posted by ReclinerMan[..]

    Well, that will all depend on when the time comes.


    its all up to each individual
  5. Here's my review for this week's bootleg:

    1989-10-16 Melbourne, Australia - National Tennis Centre

    Sound: The quality was way better than I expected, the first couple of minutes were hissy and too loud, but the taper found a better position, so the overall result was way better than a 3 star quality, I would give it a 3,5. There's only one major glitch, during the first verse of AIWIY, for the rest of the recording, there are no big mistakes.

    Performance: As this was the last night of a 7-night run, the band wanted to make it a special night, and we can say they succeeded in it, the show is flawless, the setlist is near to perfect, I was very happy to see 'Bad' and 'SBS' dropped to make way for rare tracks like 'Hawkmoon 269' or 'God Part II.'
    Bono is in a very talkative mood this evening, he changes the middle part of 'Bullet The Blue Sky', talks all over the intro for 'WTSHNN', he's really into it, the band also enjoys every single minute of the concert. I noticed only one weak moment, the snippet of Marvin Gaye's 'Sexual Healing' is really really unnecessary during AIWIY, especially when sang before the third verse.

    Ups: Hawkmoon 269 (fantastic song live, get it back, please!), Running To Stand Still (one of the best live renditions of this song), Angel Of Harlem (horns!, horns!), God Part II. (it's a killer live tune)

    Downs: Sexual Healing snippet

    All in all, this bootleg was a very pleasant experience, a little reminder of how extraordinary was the Lovetown tour.
  6. Originally posted by jean_pasquerelThere's only one major glitch, during the first verse of AIWIY, for the rest of the recording, there are no big mistakes.



    Pride was a little fucked to
  7. Originally posted by germcevoy[..]

    Pride was a little fucked to


    I will be honest, I was in another room during Pride - busy with some Christmas decorations...
  8. Originally posted by jean_pasquerel[..]

    I will be honest, I was in another room during Pride - busy with some Christmas decorations...



    you were better off doing that
  9. Sorry guys, I'll have to post later. I don't have much time to do so right now.
  10. Moderator’s Notes:

    1989-10-16 - Melbourne, Australia - National Tennis Centre

    General Jots:

    --Hawkmoon was so awesome. I wish they would play that more.
    --Desire continues the awesome.
    --All Along the Watchtower has the final verse this time. Neat.
    --Bullet was raw and rough, in both the good and bad way.
    --A lot more talking than usual, i.e. Running to Stand Still/I Will Follow.
    --Streets was holy, duh, and love the Heartland snippet.
    --Taping was screwed up during All I Want Is You & Pride, dang it!
    --Bring on the B.B. King Orchestra - People Get Ready & Angel of Harlem were fun.
    --B.B. King owned his section with them.
    --New Year's Day & Party Girl rocked.

    Final Thoughts:

    This show was a bad intro for me into the Lovetown tour and for one reason... THE SOUND! This recording was made on cheap cassettes and it shows. After listening to the UF Chicago bootleg, which sound better even though it's older, it shows that even cassettes can sound better than this.

    The show was pretty awesome, though. But the sound...
  11. Originally posted by ReclinerManFinal Thoughts:

    This show was a bad intro for me into the Lovetown tour and for one reason... THE SOUND! This recording was made on cheap cassettes and it shows. After listening to the UF Chicago bootleg, which sound better even though it's older, it shows that even cassettes can sound better than this.

    The show was pretty awesome, though. But the sound...


    Slightly harsh evaluation of the sound there I thought. If you want good sounding LoveTown then grab any of the Point or Rotterdam shows. I thinki'm gonna try and aquirethe lossless of this show. I bet it sounds way better.
  12. Originally posted by germcevoySlightly harsh evaluation of the sound there I thought. If you want good sounding LoveTown then grab any of the Point or Rotterdam shows. I thinki'm gonna try and aquirethe lossless of this show. I bet it sounds way better.


    I have sensitive ears (which is weird, because I continually blast them in). So I can't stand recordings that just grind into my poor eardrums. This show did, and it distracted me a lot from enjoying the bootleg.

    By the way, I have the Point Depot and Rotterdam shows, I just have never listened to them.
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U2start is run by fans for fans. Help us reduce personal costs. Consider to make a donation to support us.
U2start is run by fans for fans. Help us reduce personal costs. Consider to make a donation to support us.
U2start is run by fans for fans. Help us reduce personal costs. Consider to make a donation to support us.