Originally posted by BigGiRL:UPDATE (vintage audience recordings):
Today seemed like a good day to share my remaster of the 1982-05-14 - Hattum, The Netherlands soundboard.
I do believe the source comes from a leaked soundboard, as the concert was recorded by the Dutch public broadcast
organization Veronica (VOO) for "Countdown Cafe".
At the time only 7 songs were broadcasted on TV and somewhere in the 90-ies re-broadcasted by the VPRO (again,
only 7 songs). The complete show circulated, however, as a pretty decent audience recording. And of course, most
famously, certainly in The Netherlands, is the live version of I Will Follow that was taken from this show and released on 7".
Some have speculated that this may be from an original broadcast, but that would have left a typical FM-signature in the
dynamic spectrum, and this not the case. Pimm Jal de la Parra in fact only mentions a TV broadcast (6 songs) and no
radio broadcast (U2: A Concert Documentary).
What is also clear from this tape's hiss, hum, noise and drop-outs and/or cuts that this tape was copied a few times before
the digital transfer was done. This too led me to believe that it is in fact more likely to hold that this is from a leaked board tape,
rather than from a broadcast. I mean, if there had been a radio broadcast of the full show than it is strange that no other
recordings have surfaced.
Anyway, this source that I remastered was transferred in 2012 by @Stadtfelder, but it ran at an incorrect speed.
Something not only audible, but also measurable by comparing it to the 90-ies re-broadcast. Unfortunately not every
track has the same speed variation, so I ended up treating every track individually, using some common sense to
compensate for still existing variations in the audience source. Whenever possible, I matched directly against the
"VPRO FM re-broadcast."
Additionally to the speed correction, the hum from the soundboard was removed with iZotope RX05 "De-hum" and
while at it, I also let the De-click run to diminish louder claps. Some "Spectral Repair" to remove unwanted sounds.
I did not put much effort in hiding the cuts that are still present. Finally I ran it through Ozone 7 for dynamic EQ-ing,
limiting and noise treatment.
It was definitely not an "overnight" project. I worked on this off-and-on during 2018, only to make the final mix early 2019.
Don't expect a perfect sounding soundboard though...it is still pretty rough. More sounding like that vintage bootleg...
But apart from a few cuts and hic-ups, it is more or less the complete Hattum 82...![]()
Artwork under spoiler tag
Spoiler (click to toggle) [image]
[image]
Enjoy


