1. thanks for the quick mix hoserama sounds good through my audio technica
    headphones :-)
  2. Originally posted by hoserama:[..]
    It's funny--I spotted 4-5 japanese IEM tapers trolling around the venue on those days, so I knew Xavel would be getting something out quickly.

    I did a quick mix the night of show, or maybe the following morning. Basically a quick levels and few effects just for walking tunes. So clicks + counts are all still there.

    https://drive.google.com/file/d/1LQ_rYP0mj4p1hBAjW4XZZQ_harXg3yn9/view?usp=sharing

    Here's an mp3 version (all I did) of that quick mix. No AUD though. Not a full developed mix by my standards, but curious how it compares to the Xavel release. I jokingly called it the Xavel mix as it was more like their usual stuff.
    Thanks for sharing. I’m always amazed at how much better your recordings are than the usual Xavel recordings. They just sound cleaner and better balanced. I listened briefly to the new Tokyo recordings this morning and they sound ok, but think your unfinished project for 12/5 sound significantly better. Thanks again for always sharing your work with all of us! It is greatly appreciated, especially the few shows we both have attended.
  3. Originally posted by UnderARedSky:Keep in mind the reason why I put (Larry!) was because its an Larry IEM. It varies in quality but it will be the first Larry IEM we get here besides the Turin 2015 recording thats out there somewhere.
    That wasn't even a Larry IEM. It was just the wireless mic for the drum used on Sunday Bloody Sunday.
  4. I admit that as ignorant, in your XAVEL 3, Larry plays I don't know, full, in the foreground ... and I like it very much .... and thanks for everything ....
  5. I actually like the counts.
  6. They're stuck in my head.

    Red Hill Mining Town at Saitama 1, I said "VERSE 2 3 4" out loud
  7. I know them all too well too.

    I remember at show 8 or 9 in 2005 (I did the first 10 shows straight), they were coming up on the Boy mini-set, which usually had some rotation. I heard the click track for Electric Co, and just from the tempo I knew the electric co was coming up.

    I knew then I had seen too many shows straight.
  8. To me that’s the equivalent of saying I enjoy having someone stand right in front of me during a concert. The counts just get in the way for me. I’m not complaining though. There’s enough count free recordings out there for me to enjoy and I wasn’t charged for them either. Can’t really argue with that now can I. And thank you for sharing that Tokyo recording anyway hoserama, I’m sure it’s much better than the xavel one. Actually while I’m on the matter thank you as well drogba29 for sharing the xavel ones anyway. At least you also tried to get it to other fans for free. I’m appreciative of all that stuff.
  9. Originally posted by hoserama:[..]
    It's funny--I spotted 4-5 japanese IEM tapers trolling around the venue on those days, so I knew Xavel would be getting something out quickly.

    I did a quick mix the night of show, or maybe the following morning. Basically a quick levels and few effects just for walking tunes. So clicks + counts are all still there.

    https://drive.google.com/file/d/1LQ_rYP0mj4p1hBAjW4XZZQ_harXg3yn9/view?usp=sharing

    Here's an mp3 version (all I did) of that quick mix. No AUD though. Not a full developed mix by my standards, but curious how it compares to the Xavel release. I jokingly called it the Xavel mix as it was more like their usual stuff.


    This is not allowing me to play it, is it no longer active?
  10. Comes up for me.

    I would suggest downloading it. It will not stay in my google drive in perpetuity.
  11. This is the message I'm getting.

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  12. I don't mind the counts tbh. It immerses me as being onstage or being part of the crew.