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  1. ok...looked up the maxon cp101. didnt even know what it is lol. as far as compressors go. I would always go with the MXR dyna-comp

    if thats not your thing try the keeley compressor or an analog man compressor

    BUT...the dyna comp is probably the cheapest for the qaulity. the other two are fairly expensive sorry if I seem like a know it all or giving you advice when you didnt ask for it...im just REALLY passionate about gear!!!
  2. Originally posted by thebonodrums:ok...looked up the maxon cp101. didnt even know what it is lol. as far as compressors go. I would always go with the MXR dyna-comp

    if thats not your thing try the keeley compressor or an analog man compressor

    BUT...the dyna comp is probably the cheapest for the qaulity. the other two are fairly expensive sorry if I seem like a know it all or giving you advice when you didnt ask for it...im just REALLY passionate about gear!!!


    As am I man.
    The SD-1 is known for being a great companion to the memory man, which is why I was possibly after it.
    The behringer, although most of their pedals are sort of second-hand-ish and not as good, the reverb machine is supposed to be an exact clone of the verbzilla, some people say its even better. Normally I wouldn't touch behringer, but that pedal has gotten good reviews from some guitarists that I know well and have great tone.
    The Maxon is a great sounding compressor that is meant to sound like the vintage dynacomps. The new dynacomps, even the reissues of the "vintage" ones sound a bit crappy. They're nowhere near a vintage dyna comp, which sound awesome, but they are MAD expensive. The CP101 is a great alternative, and it's not too too expensive.

    As you can see, you're also not the only one passionate! Believe me, I research gear all the time so I know what i"m getting into/looking for.

    Alex
  3. I got an eBow for my birthday

    Does anyone know what songs Edge uses it on besides WOWY, TUF and Disappearing Act?


  4. Unforgettable Fire, other than that can't think of one!
  5. Originally posted by RattleandHum1988:[..]

    As am I man.
    The SD-1 is known for being a great companion to the memory man, which is why I was possibly after it.
    The behringer, although most of their pedals are sort of second-hand-ish and not as good, the reverb machine is supposed to be an exact clone of the verbzilla, some people say its even better. Normally I wouldn't touch behringer, but that pedal has gotten good reviews from some guitarists that I know well and have great tone.
    The Maxon is a great sounding compressor that is meant to sound like the vintage dynacomps. The new dynacomps, even the reissues of the "vintage" ones sound a bit crappy. They're nowhere near a vintage dyna comp, which sound awesome, but they are MAD expensive. The CP101 is a great alternative, and it's not too too expensive.

    As you can see, you're also not the only one passionate! Believe me, I research gear all the time so I know what i"m getting into/looking for.

    Alex


    ok the only one I would really beg you to reconsider is the behringger. Unless its CONSIDERABLY cheaper then the verbzilla.
  6. Can anyone help I am trying to see if the block inlays on Adam's Purple Sparkle P bass are Black block inlay or Abalone shell as per his gold ones. I have seen some pics but it is quite hard to work out.................One cool looking bass though, any help appreciated thanks.
  7. Does anyone know what the thing is Edge uses to keep picks in on top of his les paul? I've noticed that when he takes a guitar out wirelessly onto whatever B-stage they have going (noticed especially on the Boston dvd during in a little while and stuff) he has a little black thing on the upper side of his les paul with a few picks in it. Anyone know where I can find one of these?
  8. The sound Edge uses on Numb, how exactly does he get that?

    It sounds perfect for industrial music.


  9. It's a preset on his Korg A3, I believe it's called "buzz saw" but don't quote me on that.

    To be honest, you can get the sound with just a basic distortion, not too intense, even a heavy overdrive would do, and a flanger. Those two things together and you've got it. As for the speed and depth of the flanger and the perfect amount of overdrive or distortion, well you just gotta figure that out by ear!

    But essentially, distortion/heavy overdrive and a Flanger effect will do the job.
  10. Originally posted by RattleandHum1988:Does anyone know what the thing is Edge uses to keep picks in on top of his les paul? I've noticed that when he takes a guitar out wirelessly onto whatever B-stage they have going (noticed especially on the Boston dvd during in a little while and stuff) he has a little black thing on the upper side of his les paul with a few picks in it. Anyone know where I can find one of these?


    It looks like some kind of rails in which the picks are placed. Something tells me that it is custom, but I may obviously be wrong.
    Why don't you get one of these?


  11. Korg A3 with SPC-01 card (or the cards sounds loaded into the A3). I don't remember the exact name of the patch but it's in there. And as mentioned it is essentially distortion and flanger.

    Korg A3 arrived during the Achtung Baby sessions and was used for a number of Achtung Baby and Zooropa tunes. That said, some of the Zooropa tunes were left-overs from the Achtung Baby sessions. "Numb" was called "Down All Days" in it's earlier incarnation during the Achtung Baby sessions.
  12. He also uses a gated effect doesn't he? Think I read it in U2 by U2
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.
Contribute to the U2 community with uploading photos or by telling us which shows you have visited.