1. HotPress is Irish. I'm pretty sure it was them who also quoted the U2 gig in Dublin for the 27th. Sure we'l find out on Monday
  2. Monday we'll know for sure that's right

    EDIT : Ofcourse, Irish ! Sorry there germcevoy
  3. it looks like they are doing a good job with the concert dates secrecy. i am surprised it hasnt leaked out yet!
  4. Originally posted by red:it looks like they are doing a good job with the concert dates secrecy. i am surprised it hasnt leaked out yet!


    they could never keep dates from getting out in the open. Theres just too many people involved but it takes a tit to make arrangements before official word is out
  5. Originally posted by germcevoy:[..]

    they could never keep dates from getting out in the open. Theres just too many people involved but it takes a tit to make arrangements before official word is out



    yep, thats true.. however i am surprised that, for example, london dates are still a wild guess....
  6. Im just hoping we get more pro-shots this tour than last time around! Vertigo only has like a handful of broadcasts i hope this time they show more concerts. I think they will there seems to be a lot of promotion for this one U2 channel on Tv.
  7. from U2.com

    It's like a spaceship...'
    06 March 2009

    Tune in to RTE 2fm this Sunday to hear Larry talking about the new tour, playing live, the album and a changing music business.

    Interviewed by RTE 2fm DJ Larry Gogan, with whom Larry goes way back, he talks about what it took to get U2 back into a studio again, how the music business has changed over the years, how his dad got him into his first band and what fans can expect of the new show.

    On recording the new album
    "Bono was away and, on all those very long plane journeys over various continents, he gets an opportunity to write a lot of lyrics, that's what he spends of lot of his time doing."

    On stage
    "On stage for many years there are moments where certain songs change the atmosphere in the room. The one song that does that consistently is "Where the Streets Have No Name". It's one of those great moments. It always makes me laugh thinking of Brian Eno trying to burn the tape because he couldn't get his head around the song".

    On the new live shows
    "It's like a spaceship... and I know we've done spaceships before and walked out of citrus fruits! But this allows us to be placed close to the centre of the stadium. It hasn't been done before. Essentially it's trying to bring the band closer to the audience and that's the challenge."


    On the music business
    "The music business has changed so dramatically now. It's not about how many albums you sell. People don't buy albums, it's about individual songs. It's very difficult for young bands, they end up having to do things and sell themselves in a way that would have just been offensive when we were starting out."
  8. Exclusive: U2 To 'Kiss The Future' On Global Stadium Tour

    March 06, 2009 09:00 AM ET
    Ray Waddell, Nashville

    Kiss The Future, U2's world tour in support of the band's new album "No Line on the Horizon," will play stadiums around the world, beginning June 30 in Barcelona, Billboard can exclusively reveal. Details of the tour will be announced March 9.

    It’s a groundbreaking tour with production that includes a 360-degree audience configuration, ambitious staging, and a cylindrical video screen. “We’re very excited about the idea to go on the road with this album,” the Edge says. “It’s an album that I think is going to translate so well to the live context. The songs we’ve tried in rehearsal are sounding fantastic, so that’s got everyone really fired up.”

    U2 will be playing in a setting unique among all previous tours, by any artist. The tour will be global and lengthy. U2 will stay in Europe through Aug. 22, then hit American shores on Sept. 12 with a show at Soldier Field in Chicago; they’ll play in North America until Oct. 28 and plan on working the globe until the fall of 2010. In addition to its production firsts, the tour is destined to become one of the highest-grossing tours ever; at $389 million, the band’s 2005-2007 Vertigo tour is second only to the Rolling Stones’ A Bigger Bang trek.

    After playing arenas in North America and stadiums elsewhere on their last few tours, U2 will play stadiums everywhere this time out. “This is going to be completely different, and that’s what makes it exciting, finding something new to bring to the touring culture,” says the Edge. “It’s hard to come up with something that’s fundamentally different, but we have, I think, on this tour. Where we’re taking our production will never have been seen before by anybody, and that’s an amazing thing to be able to say. For a band like U2 that really thrive on breaking new ground it’s a real thrill.”

    As they have for well over a decade, LiveNation global music chairman Arthur Fogel and his team will produce and promote U2 worldwide. Committing to a global stadium tour is “obviously a major undertaking on a bunch of different levels,” says Fogel. “On the last tour it basically broke down indoors in America and stadiums outside of America. Both shows were pretty different and they were both incredible, but I think the general feeling, and certainly mine, was the experience of U2 in a stadium is special and unique, and it would be great for North America to experience that the way the rest of the world did the last time around.”

    Playing in a 360 configuration will increase the capacity by about 15%-20%, depending on the stadium. The configuration opens up myriad opportunities for scaling ticket prices, an important consideration for Fogel and the band. The top ticket price will be slightly higher than last time and the bottom price will be lower, with the floor seats — the closest to the stage — the lowest priced. In fact, playing larger capacity venues allows for more conservative pricing overall. Field level is going to be $55, and there will be 10,000 tickets a show, every show, at $30, Fogel says. The price points are $250, $90-$95, depending on the market; $55, and $30.

    On-sales will begin in Europe in mid-March, and North American on-sales will start in late March/early April. U2 will also resurrect it's random upgrade program first seen on Elevation in 2001, where random fans purchasing GA tickets will be moved closest to the stage.

    The basic layout of the tour is Euro July/Aug., America Sept.-Oct, a total of 40-45 shows this year; more stadiums in America in June/July next year, then Aug/Sept in Europe, then tentatively South America in the fall of 2010 for potentially as many as 90-100 shows over the next two years.

    This will be the first tour under U2’s 12-year multi-rights deal with Live Nation, though the band’s relationship with Fogel dates back to a show at the El Mocambo in Toronto in 1979. “Arthur and I are great friends and I’ve been very interested in the Live Nation project for years now, and we’ve been very supportive of it,” says U2 manager Paul McGuinness. “We obviously intend to go on performing for a long time to come and that’s what the deal reflects. U2 always had parallel careers as recording artists and a touring act and it was always fundamental to our way of thinking that the two should be complimentary.”

    http://www.billboard.com/bbcom/news/exclusive-u2-to-kiss-the-future-on-global-1003948418.story
  9. Hope the floor seats are a US thing


  10. As if anyone is going to sit during an U2 show. I've seen that for other artists, Oasis, Coldplay etc. But at an U2 concert, no one is sitting.
  11. Originally posted by Remy:[..]

    As if anyone is going to sit during an U2 show. I've seen that for other artists, Oasis, Coldplay etc. But at an U2 concert, no one is sitting.


    No doubt but I wouldn't want the GA to be filled with a load of seats.